Vibrations: Exclusively using digital music production as an approach to the lack of knowledge in instruments among musicians
“Vibrations: Exclusively using digital music production as an approach to the lack of knowledge in instruments among musicians” discusses the history of digital audio production; its innovation, application, and how it can improve the workflow of aspiring musicians in the industry. Techniques in dig...
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oai:animorepository.dlsu.edu.ph:conf_shsrescon-11312022-05-03T01:58:29Z Vibrations: Exclusively using digital music production as an approach to the lack of knowledge in instruments among musicians De La Torre, Gabriel Lorenzo C. Constantino, Emilio Miguel H. “Vibrations: Exclusively using digital music production as an approach to the lack of knowledge in instruments among musicians” discusses the history of digital audio production; its innovation, application, and how it can improve the workflow of aspiring musicians in the industry. Techniques in digital audio production will be discussed in depth within the paper, and possible uses for conceptualizing new sounds will be shared. Insights/and opinions will be discussed from the data collected from the research’s participants to add further support to the topic as a whole. Together with two sample tracks and a collection of data within the paper, the research team of vibrations aim towards providing a possible solution for struggling musicians in the industry. 2022-05-12T20:00:00Z text https://animorepository.dlsu.edu.ph/conf_shsrescon/2022/arts_mus/1 DLSU Senior High School Research Congress Animo Repository Arts and Humanities Composition Music |
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Arts and Humanities Composition Music De La Torre, Gabriel Lorenzo C. Constantino, Emilio Miguel H. Vibrations: Exclusively using digital music production as an approach to the lack of knowledge in instruments among musicians |
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“Vibrations: Exclusively using digital music production as an approach to the lack of knowledge in instruments among musicians” discusses the history of digital audio production; its innovation, application, and how it can improve the workflow of aspiring musicians in the industry. Techniques in digital audio production will be discussed in depth within the paper, and possible uses for conceptualizing new sounds will be shared. Insights/and opinions will be discussed from the data collected from the research’s participants to add further support to the topic as a whole. Together with two sample tracks and a collection of data within the paper, the research team of vibrations aim towards providing a possible solution for struggling musicians in the industry. |
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text |
author |
De La Torre, Gabriel Lorenzo C. Constantino, Emilio Miguel H. |
author_facet |
De La Torre, Gabriel Lorenzo C. Constantino, Emilio Miguel H. |
author_sort |
De La Torre, Gabriel Lorenzo C. |
title |
Vibrations: Exclusively using digital music production as an approach to the lack of knowledge in instruments among musicians |
title_short |
Vibrations: Exclusively using digital music production as an approach to the lack of knowledge in instruments among musicians |
title_full |
Vibrations: Exclusively using digital music production as an approach to the lack of knowledge in instruments among musicians |
title_fullStr |
Vibrations: Exclusively using digital music production as an approach to the lack of knowledge in instruments among musicians |
title_full_unstemmed |
Vibrations: Exclusively using digital music production as an approach to the lack of knowledge in instruments among musicians |
title_sort |
vibrations: exclusively using digital music production as an approach to the lack of knowledge in instruments among musicians |
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Animo Repository |
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2022 |
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https://animorepository.dlsu.edu.ph/conf_shsrescon/2022/arts_mus/1 |
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1733052721860182016 |