Crossing the threshold of and disclosing the fantastic in Gilda Cordero-Fernado's selected stories
Founded on different researches, Gilda Cordero-Fernando is acknowledged as a writer on the topic of middle-class. In one of Jose Y. Dalisay's introductions of his work, he asserts that Gilda Cordero-Fernando is a fantasy writer. In my study, I bring to the readers the foremost principle of Eric...
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| Format: | text |
| Language: | English |
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Animo Repository
2005
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| Subjects: | |
| Online Access: | https://animorepository.dlsu.edu.ph/etd_bachelors/2121 |
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| Institution: | De La Salle University |
| Language: | English |
| Summary: | Founded on different researches, Gilda Cordero-Fernando is acknowledged as a writer on the topic of middle-class. In one of Jose Y. Dalisay's introductions of his work, he asserts that Gilda Cordero-Fernando is a fantasy writer. In my study, I bring to the readers the foremost principle of Eric Rabkin and one of Rosemary Jackson's principles concerning the theory of Fantasy Realism. As I demonstrate illustrations from Gilda Cordero-Fernando's works such as Ningning , Hunger , The Dust Monster and The Level of Each Day's Need , using the theory of Eric Rabkin and Rosemary Jackson, I therefore publicize that Gilda Cordero-Fernando is a fantasy writer. |
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