The inevitable decay (gold, silver and death) : the question of auteurship in violence of Peque Gallaga's Oro Plata Mata
This study analyzes Peque Gallaga's signature on his film, Oro Plata Mata (1982) vis-a-vis the theme of violence by utilizing Andrew Sarris' Notes on the Auteur Theory in 1962 and by examining the film in correspondence to the researcher's personal interview. This study identifies not...
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| Format: | text |
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Animo Repository
2013
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| Online Access: | https://animorepository.dlsu.edu.ph/etd_bachelors/2571 |
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| Institution: | De La Salle University |