Louie Cano: Camp technique as a mode of gender performativity
This study analyzes Louie Cano's essay collections entitled Brusko Pink : King Kong Barbies & Other Queer Files (2005), Masculadoll: Mga Sanaysay ng Buhay Bading na Di Buking (2008), and Pamhinta X: Mga Nagbabagang Sanaysay (2010) using Susan Sontag's Notes on Camp (1964) and Judith Bu...
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2012
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oai:animorepository.dlsu.edu.ph:etd_bachelors-35732021-06-21T01:00:41Z Louie Cano: Camp technique as a mode of gender performativity Quismorio, Maria Clarice Modred S. This study analyzes Louie Cano's essay collections entitled Brusko Pink : King Kong Barbies & Other Queer Files (2005), Masculadoll: Mga Sanaysay ng Buhay Bading na Di Buking (2008), and Pamhinta X: Mga Nagbabagang Sanaysay (2010) using Susan Sontag's Notes on Camp (1964) and Judith Butler's concept of Gender Performativity. This study aims to determine the how the texts empowers the gay community and challenges homophobia/heterosexism. Furthermore, this study attempts to prove that Louie Cano's works are subversive against prevailing norms and binaries regarding gender and sexuality. Moreover, this study aims to explore the representation of the homosexual in the texts and whether Cano's essays oppress, degrade, trivialize, ridicule, or objectify homosexuals. 2012-01-01T08:00:00Z text https://animorepository.dlsu.edu.ph/etd_bachelors/2573 Bachelor's Theses English Animo Repository Comparative Literature |
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De La Salle University |
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De La Salle University Library |
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Asia |
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Philippines Philippines |
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Comparative Literature |
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Comparative Literature Quismorio, Maria Clarice Modred S. Louie Cano: Camp technique as a mode of gender performativity |
| description |
This study analyzes Louie Cano's essay collections entitled Brusko Pink : King Kong Barbies & Other Queer Files (2005), Masculadoll: Mga Sanaysay ng Buhay Bading na Di Buking (2008), and Pamhinta X: Mga Nagbabagang Sanaysay (2010) using Susan Sontag's Notes on Camp (1964) and Judith Butler's concept of Gender Performativity. This study aims to determine the how the texts empowers the gay community and challenges homophobia/heterosexism. Furthermore, this study attempts to prove that Louie Cano's works are subversive against prevailing norms and binaries regarding gender and sexuality. Moreover, this study aims to explore the representation of the homosexual in the texts and whether Cano's essays oppress, degrade, trivialize, ridicule, or objectify homosexuals. |
| format |
text |
| author |
Quismorio, Maria Clarice Modred S. |
| author_facet |
Quismorio, Maria Clarice Modred S. |
| author_sort |
Quismorio, Maria Clarice Modred S. |
| title |
Louie Cano: Camp technique as a mode of gender performativity |
| title_short |
Louie Cano: Camp technique as a mode of gender performativity |
| title_full |
Louie Cano: Camp technique as a mode of gender performativity |
| title_fullStr |
Louie Cano: Camp technique as a mode of gender performativity |
| title_full_unstemmed |
Louie Cano: Camp technique as a mode of gender performativity |
| title_sort |
louie cano: camp technique as a mode of gender performativity |
| publisher |
Animo Repository |
| publishDate |
2012 |
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https://animorepository.dlsu.edu.ph/etd_bachelors/2573 |
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1772834564603904000 |