The female subject: Portrayal by male authors in the 20th century

The study analyzes the portrayal of female characters in a selected short story written by eight male writers who were born in the 20th century. The stories to be studied are: N.V.M. Gonzalez's The blue skull and the dark palms , Nick Joaquin's The summer solstice , Cameo by Jose Y. Dalisa...

Full description

Saved in:
Bibliographic Details
Main Author: Guatno, Leann Lois S.
Format: text
Language:English
Published: Animo Repository 2016
Subjects:
Online Access:https://animorepository.dlsu.edu.ph/etd_bachelors/2807
Tags: Add Tag
No Tags, Be the first to tag this record!
Institution: De La Salle University
Language: English
id oai:animorepository.dlsu.edu.ph:etd_bachelors-3807
record_format eprints
spelling oai:animorepository.dlsu.edu.ph:etd_bachelors-38072021-06-04T01:43:57Z The female subject: Portrayal by male authors in the 20th century Guatno, Leann Lois S. The study analyzes the portrayal of female characters in a selected short story written by eight male writers who were born in the 20th century. The stories to be studied are: N.V.M. Gonzalez's The blue skull and the dark palms , Nick Joaquin's The summer solstice , Cameo by Jose Y. Dalisay, Jr., Woman of Am-Kaw by Charlson Ong, Dean Francis Alfar's The kite of stars , Luis Joaquin M. Katigbak's Kara's place , The painted lady by Ian Rosales Casocot, and Everybody gets off at Cubao by Carljoe Javier. The stories Cameo , The painted lady , and Everybody gets off at Cubao have male narrators describing their experiences with the female character, while the other stories have the narrator not actively participating in the narrative, with exceptions in Woman of Am-Kaw and Kara's place . The following concepts are used to analyze how these female characters are portrayed in their respective stories: subjectivity from post-structuralism, the male gaze, and the angel and monster image from Sandra Gilbert and Susan Gubar's The madwoman in the attic: the woman writer and the nineteenth-century literary imagination (1979). The main female characters are the subject, and the study calls into view how they are addressed within their respective narratives, as well as show the images that are used to contain and describe them. The study shows that there have been minimal changes to these portrayals of the female subject, despite the passage of time. Despite being born after at least three generations afte the oldest writer selected, the youngest writer selected-- Carljoe Javier-- as well as the younger writers have not completely departed from the angel images used by the older writers in their respective stories. 2016-01-01T08:00:00Z text https://animorepository.dlsu.edu.ph/etd_bachelors/2807 Bachelor's Theses English Animo Repository Women in literature Comparative Literature
institution De La Salle University
building De La Salle University Library
continent Asia
country Philippines
Philippines
content_provider De La Salle University Library
collection DLSU Institutional Repository
language English
topic Women in literature
Comparative Literature
spellingShingle Women in literature
Comparative Literature
Guatno, Leann Lois S.
The female subject: Portrayal by male authors in the 20th century
description The study analyzes the portrayal of female characters in a selected short story written by eight male writers who were born in the 20th century. The stories to be studied are: N.V.M. Gonzalez's The blue skull and the dark palms , Nick Joaquin's The summer solstice , Cameo by Jose Y. Dalisay, Jr., Woman of Am-Kaw by Charlson Ong, Dean Francis Alfar's The kite of stars , Luis Joaquin M. Katigbak's Kara's place , The painted lady by Ian Rosales Casocot, and Everybody gets off at Cubao by Carljoe Javier. The stories Cameo , The painted lady , and Everybody gets off at Cubao have male narrators describing their experiences with the female character, while the other stories have the narrator not actively participating in the narrative, with exceptions in Woman of Am-Kaw and Kara's place . The following concepts are used to analyze how these female characters are portrayed in their respective stories: subjectivity from post-structuralism, the male gaze, and the angel and monster image from Sandra Gilbert and Susan Gubar's The madwoman in the attic: the woman writer and the nineteenth-century literary imagination (1979). The main female characters are the subject, and the study calls into view how they are addressed within their respective narratives, as well as show the images that are used to contain and describe them. The study shows that there have been minimal changes to these portrayals of the female subject, despite the passage of time. Despite being born after at least three generations afte the oldest writer selected, the youngest writer selected-- Carljoe Javier-- as well as the younger writers have not completely departed from the angel images used by the older writers in their respective stories.
format text
author Guatno, Leann Lois S.
author_facet Guatno, Leann Lois S.
author_sort Guatno, Leann Lois S.
title The female subject: Portrayal by male authors in the 20th century
title_short The female subject: Portrayal by male authors in the 20th century
title_full The female subject: Portrayal by male authors in the 20th century
title_fullStr The female subject: Portrayal by male authors in the 20th century
title_full_unstemmed The female subject: Portrayal by male authors in the 20th century
title_sort female subject: portrayal by male authors in the 20th century
publisher Animo Repository
publishDate 2016
url https://animorepository.dlsu.edu.ph/etd_bachelors/2807
_version_ 1772834567932084224