The promise of forever is beyond the clash of class: Analyzing the codes of television in Pangako sa'yo and Forevermore

This study problematizes the ideologies that teleseryes, Pangako sa'yo and Forever more, present to its viewers in relation to gender and social class. This thesis utilizes three codes of television: reality, representational, and ideological, as according to John Fiske's television codes....

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Main Author: Sadian, Hazel Nichole S.
Format: text
Language:English
Published: Animo Repository 2017
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Online Access:https://animorepository.dlsu.edu.ph/etd_bachelors/2915
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Institution: De La Salle University
Language: English
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spelling oai:animorepository.dlsu.edu.ph:etd_bachelors-39152021-11-08T07:11:35Z The promise of forever is beyond the clash of class: Analyzing the codes of television in Pangako sa'yo and Forevermore Sadian, Hazel Nichole S. This study problematizes the ideologies that teleseryes, Pangako sa'yo and Forever more, present to its viewers in relation to gender and social class. This thesis utilizes three codes of television: reality, representational, and ideological, as according to John Fiske's television codes. The reality code examines the codes of costume, behavior, and speech of six specific characters coming from both teleseryes. This section shows that the teleseryes have created or utilized conventional and stereotypical characters. Representation of characters are dependent on the intersection of their gender and social class, and so this also help in identifying the character into a particular costume, or a type behavior, and speech. The next code, representational, examines the narrative structure of both teleseryes, and this shows that there is little to no difference between the two television shows. Through the first two codes, the ideologies that both the teleseryes present are identified: (1) the promise of forever (2) the expectation or the ideal woman and, (3) the stereotypes of the rich and the poor. With all these being said, therefore, the thesis concludes that Pangako sa'yo and Forevermore are not new types of teleseryes, rather these work to reimpose the dominant ideology, that are patriarchy and capitalism, and do not work towards provoking social change in television. 2017-01-01T08:00:00Z text https://animorepository.dlsu.edu.ph/etd_bachelors/2915 Bachelor's Theses English Animo Repository Television soap operas--Philippines Television series--Philippines Comparative Literature
institution De La Salle University
building De La Salle University Library
continent Asia
country Philippines
Philippines
content_provider De La Salle University Library
collection DLSU Institutional Repository
language English
topic Television soap operas--Philippines
Television series--Philippines
Comparative Literature
spellingShingle Television soap operas--Philippines
Television series--Philippines
Comparative Literature
Sadian, Hazel Nichole S.
The promise of forever is beyond the clash of class: Analyzing the codes of television in Pangako sa'yo and Forevermore
description This study problematizes the ideologies that teleseryes, Pangako sa'yo and Forever more, present to its viewers in relation to gender and social class. This thesis utilizes three codes of television: reality, representational, and ideological, as according to John Fiske's television codes. The reality code examines the codes of costume, behavior, and speech of six specific characters coming from both teleseryes. This section shows that the teleseryes have created or utilized conventional and stereotypical characters. Representation of characters are dependent on the intersection of their gender and social class, and so this also help in identifying the character into a particular costume, or a type behavior, and speech. The next code, representational, examines the narrative structure of both teleseryes, and this shows that there is little to no difference between the two television shows. Through the first two codes, the ideologies that both the teleseryes present are identified: (1) the promise of forever (2) the expectation or the ideal woman and, (3) the stereotypes of the rich and the poor. With all these being said, therefore, the thesis concludes that Pangako sa'yo and Forevermore are not new types of teleseryes, rather these work to reimpose the dominant ideology, that are patriarchy and capitalism, and do not work towards provoking social change in television.
format text
author Sadian, Hazel Nichole S.
author_facet Sadian, Hazel Nichole S.
author_sort Sadian, Hazel Nichole S.
title The promise of forever is beyond the clash of class: Analyzing the codes of television in Pangako sa'yo and Forevermore
title_short The promise of forever is beyond the clash of class: Analyzing the codes of television in Pangako sa'yo and Forevermore
title_full The promise of forever is beyond the clash of class: Analyzing the codes of television in Pangako sa'yo and Forevermore
title_fullStr The promise of forever is beyond the clash of class: Analyzing the codes of television in Pangako sa'yo and Forevermore
title_full_unstemmed The promise of forever is beyond the clash of class: Analyzing the codes of television in Pangako sa'yo and Forevermore
title_sort promise of forever is beyond the clash of class: analyzing the codes of television in pangako sa'yo and forevermore
publisher Animo Repository
publishDate 2017
url https://animorepository.dlsu.edu.ph/etd_bachelors/2915
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