Kamera: A feature film
What he (the photographer) sees will be affected by what he is looking for and how he looks for it. -Irving Singer, Santayana and the Ontology of the Photographic Image.Studio photographer, Emmanuel (Ben Fuentes) is a cynical young man who doubts the smiles behind his clients. Betrayed as a child, E...
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| Main Authors: | , |
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| Format: | text |
| Language: | English |
| Published: |
Animo Repository
2008
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| Subjects: | |
| Online Access: | https://animorepository.dlsu.edu.ph/etd_bachelors/5195 |
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| Institution: | De La Salle University |
| Language: | English |
| Summary: | What he (the photographer) sees will be affected by what he is looking for and how he looks for it. -Irving Singer, Santayana and the Ontology of the Photographic Image.Studio photographer, Emmanuel (Ben Fuentes) is a cynical young man who doubts the smiles behind his clients. Betrayed as a child, Emman carries a painful memory that haunts him until this day, compelling him to desire undoing the past, or at the very least putting back together something that never existed in the first place. |
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