Enunciating the spectator's I's: To the I of the cinema: Christian Metz, spectatorship, and cinematic enunciation in Jeffrey Jeturian's Tuhog
An analysis of Jeffrey Jeturian's film Tuhog (2001) using Christian Metz' post-structuralist theory of cinematic enunciation to deconstruct the film-text on two fronts: first, as an exploration of cinema's non-deictic relationship with the spectator as projected and manifested via the...
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Format: | text |
Language: | English |
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Animo Repository
2017
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Online Access: | https://animorepository.dlsu.edu.ph/etd_bachelors/14890 |
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Institution: | De La Salle University |
Language: | English |