Selfies and self-knowledge: R. G. Collingwoods expressivism on the nature of selfies

Since its introduction in the nineteenth century, photography has been popularly used as a medium for portraiture. This prevalent use became more intensified because of the development of digital photography and social media which paved way for people to capture and share their self-portraitures. In...

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Main Author: Duenas, Zaldy, III
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Language:English
Published: Animo Repository 2015
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Online Access:https://animorepository.dlsu.edu.ph/etd_masteral/5044
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Institution: De La Salle University
Language: English
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spelling oai:animorepository.dlsu.edu.ph:etd_masteral-118822024-05-31T00:23:27Z Selfies and self-knowledge: R. G. Collingwoods expressivism on the nature of selfies Duenas, Zaldy, III Since its introduction in the nineteenth century, photography has been popularly used as a medium for portraiture. This prevalent use became more intensified because of the development of digital photography and social media which paved way for people to capture and share their self-portraitures. In the past decade, self-portraiture had its renaissance as digital self-portraitures or popularly known as selfies. Selfies are self-taken photographs of oneself commonly uploaded and shared online. As a social phenomenon, selfies generated researches and studies from various academic disciplines like sociology, psychology, and popular media. Moreover, selfies are viewed in relation to philosophical problems or issues of digital photography and social media particularly with regard to self-presentation, self-identity, authenticity, and use of technology. Furthermore, this thesis employs British philosopher R.G. Collingwood's expressivism as a framework to determine the value of selfies. Though Collingwood contends that representations like selfies do not belong to art proper, this research examines selfies not as artworks but whether or not they are derivations of his concept of self-knowledge. He defines self-knowledge as the knowledge of oneself that is not just an apprehension of personal feelings but of greater awareness of the world. While Collingwood views art as expressive and valuable for fostering self-knowledge, this research explores the expressive aspect of photography and the possibility of this concept to be derived from selfies. Using Collingwood's expressivism, this thesis argues that some selfies can be derivations of his notion of self-knowledge. Accordingly, a selfie can be a derivation of Collingwood's concept of self-knowledge given that it reflects the following: (1) self-expressions and self-concepts, (2) self-awareness as forms of self and identity formation, and (3) social awareness through online collaboration. While works of art are valued as expressive of self-knowledge, some selfies, in view of Collingwood's expressivism, can be the same. 2015-01-01T08:00:00Z text https://animorepository.dlsu.edu.ph/etd_masteral/5044 Master's Theses English Animo Repository Selfies (Photography) Philosophy
institution De La Salle University
building De La Salle University Library
continent Asia
country Philippines
Philippines
content_provider De La Salle University Library
collection DLSU Institutional Repository
language English
topic Selfies (Photography)
Philosophy
spellingShingle Selfies (Photography)
Philosophy
Duenas, Zaldy, III
Selfies and self-knowledge: R. G. Collingwoods expressivism on the nature of selfies
description Since its introduction in the nineteenth century, photography has been popularly used as a medium for portraiture. This prevalent use became more intensified because of the development of digital photography and social media which paved way for people to capture and share their self-portraitures. In the past decade, self-portraiture had its renaissance as digital self-portraitures or popularly known as selfies. Selfies are self-taken photographs of oneself commonly uploaded and shared online. As a social phenomenon, selfies generated researches and studies from various academic disciplines like sociology, psychology, and popular media. Moreover, selfies are viewed in relation to philosophical problems or issues of digital photography and social media particularly with regard to self-presentation, self-identity, authenticity, and use of technology. Furthermore, this thesis employs British philosopher R.G. Collingwood's expressivism as a framework to determine the value of selfies. Though Collingwood contends that representations like selfies do not belong to art proper, this research examines selfies not as artworks but whether or not they are derivations of his concept of self-knowledge. He defines self-knowledge as the knowledge of oneself that is not just an apprehension of personal feelings but of greater awareness of the world. While Collingwood views art as expressive and valuable for fostering self-knowledge, this research explores the expressive aspect of photography and the possibility of this concept to be derived from selfies. Using Collingwood's expressivism, this thesis argues that some selfies can be derivations of his notion of self-knowledge. Accordingly, a selfie can be a derivation of Collingwood's concept of self-knowledge given that it reflects the following: (1) self-expressions and self-concepts, (2) self-awareness as forms of self and identity formation, and (3) social awareness through online collaboration. While works of art are valued as expressive of self-knowledge, some selfies, in view of Collingwood's expressivism, can be the same.
format text
author Duenas, Zaldy, III
author_facet Duenas, Zaldy, III
author_sort Duenas, Zaldy, III
title Selfies and self-knowledge: R. G. Collingwoods expressivism on the nature of selfies
title_short Selfies and self-knowledge: R. G. Collingwoods expressivism on the nature of selfies
title_full Selfies and self-knowledge: R. G. Collingwoods expressivism on the nature of selfies
title_fullStr Selfies and self-knowledge: R. G. Collingwoods expressivism on the nature of selfies
title_full_unstemmed Selfies and self-knowledge: R. G. Collingwoods expressivism on the nature of selfies
title_sort selfies and self-knowledge: r. g. collingwoods expressivism on the nature of selfies
publisher Animo Repository
publishDate 2015
url https://animorepository.dlsu.edu.ph/etd_masteral/5044
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