Soledad S. Reyes and the quest/ions of Philippine kritika
This study examines the critical views of Reyes on Tagalog literature, womens literature and popular culture. It seeks to be a complement to Salungat: A Soledad S. Reyes Reader which foregrounds the framework of Reyes critical oeuvre. Moreover, this present study is a quest of how the critical works...
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oai:animorepository.dlsu.edu.ph:etd_masteral-120412024-07-08T06:37:58Z Soledad S. Reyes and the quest/ions of Philippine kritika Caridad, Carmencita E. This study examines the critical views of Reyes on Tagalog literature, womens literature and popular culture. It seeks to be a complement to Salungat: A Soledad S. Reyes Reader which foregrounds the framework of Reyes critical oeuvre. Moreover, this present study is a quest of how the critical works of Reyes her own questions and continued quests in Philippine kritika- are a response to our othering ourselves. It navigates with the "critical imperative" of Isagani Cruz; that is, in light of our condition and situation of "the other Other," Filipino critics are addressed the crucial task of inscribing and re-inscribing a Philippine kritika, guided by the dynamic re-turn to critical tradition, and his proposed three parameters that should be observed in the formation of what he calls makabayan at malayang kritika: the rejection of expressive realism, the abandonment of Western Formalism, and the refusal of the patriarchal structures of Western Criticism. While the study argues that Reyes as a critic responds to our othering ourselves in the field of Philippine literature and kritika, it also re-considers Reyes own theoretical positions and critical arguments vis-à-vis her specific critical views expressed in her critical essays on Tagalog literature, womens literature and popular culture. 2016-01-01T08:00:00Z text https://animorepository.dlsu.edu.ph/etd_masteral/5203 Master's Theses English Animo Repository |
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This study examines the critical views of Reyes on Tagalog literature, womens literature and popular culture. It seeks to be a complement to Salungat: A Soledad S. Reyes Reader which foregrounds the framework of Reyes critical oeuvre.
Moreover, this present study is a quest of how the critical works of Reyes her own questions and continued quests in Philippine kritika- are a response to our othering ourselves. It navigates with the "critical imperative" of Isagani Cruz; that is, in light of our condition and situation of "the other Other," Filipino critics are addressed the crucial task of inscribing and re-inscribing a Philippine kritika, guided by the dynamic re-turn to critical tradition, and his proposed three parameters that should be observed in the formation of what he calls makabayan at malayang kritika: the rejection of expressive realism, the abandonment of Western Formalism, and the refusal of the patriarchal structures of Western Criticism.
While the study argues that Reyes as a critic responds to our othering ourselves in the field of Philippine literature and kritika, it also re-considers Reyes own theoretical positions and critical arguments vis-à-vis her specific critical views expressed in her critical essays on Tagalog literature, womens literature and popular culture. |
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author |
Caridad, Carmencita E. |
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Caridad, Carmencita E. Soledad S. Reyes and the quest/ions of Philippine kritika |
author_facet |
Caridad, Carmencita E. |
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Caridad, Carmencita E. |
title |
Soledad S. Reyes and the quest/ions of Philippine kritika |
title_short |
Soledad S. Reyes and the quest/ions of Philippine kritika |
title_full |
Soledad S. Reyes and the quest/ions of Philippine kritika |
title_fullStr |
Soledad S. Reyes and the quest/ions of Philippine kritika |
title_full_unstemmed |
Soledad S. Reyes and the quest/ions of Philippine kritika |
title_sort |
soledad s. reyes and the quest/ions of philippine kritika |
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2016 |
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https://animorepository.dlsu.edu.ph/etd_masteral/5203 |
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