Layo: Kung Ilalarawan ang distansya

This project is a 72-page autoethnographic perzine that documented the familial lives of three young women, two years into the COVID-19 pandemic. It was formed with authenticity in mind, using film photography and autoethnographic journalling. The women aimed to resonate through the photos of people...

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Main Authors: Madrid, Cathleen Jane De Leon, Maraña, Paula Bianca Masangkay, De Gracia, Bernice Romero
Format: text
Language:English
Published: Animo Repository 2022
Subjects:
Online Access:https://animorepository.dlsu.edu.ph/etdb_comm/17
https://animorepository.dlsu.edu.ph/cgi/viewcontent.cgi?article=1017&context=etdb_comm
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Institution: De La Salle University
Language: English
id oai:animorepository.dlsu.edu.ph:etdb_comm-1017
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spelling oai:animorepository.dlsu.edu.ph:etdb_comm-10172022-03-07T03:45:09Z Layo: Kung Ilalarawan ang distansya Madrid, Cathleen Jane De Leon Maraña, Paula Bianca Masangkay De Gracia, Bernice Romero This project is a 72-page autoethnographic perzine that documented the familial lives of three young women, two years into the COVID-19 pandemic. It was formed with authenticity in mind, using film photography and autoethnographic journalling. The women aimed to resonate through the photos of people they share spaces with, and have known all their lives. To do so, they tell their stories: of an ate having to watch her two younger brothers grow up in isolation; the life of a bunso yearning for independence, beyond the incessant care of her family; and the youngest of three that became two and the lingering grief that persists in the empty spaces of their home. The project was composed of two phases and was done during the last three months of the year when families often gather. For phase one, photos were taken spontaneously during the proponents’ daily lives. Madrid photographed her younger brothers, De Gracia her parents, and Marana her parents and brother. Lastly, the proponents wrote autoethnographic journals by hand: how quarantine affected their familial relationships and how the photos reflect this. During phase two of the project, the proponents identified common themes for the narrative. 30 photos were selected alongside the journal entries that accompanied them. These were then edited in Adobe Photoshop and then layouted in Adobe InDesign. 6 in. x 9 in. 72 pages, 37 spreads. The perzine is to be uploaded in Issuu, but will be printed with limited copies, to be given to the proponents’ family members. 2022-02-01T08:00:00Z text application/pdf https://animorepository.dlsu.edu.ph/etdb_comm/17 https://animorepository.dlsu.edu.ph/cgi/viewcontent.cgi?article=1017&context=etdb_comm Communication Bachelor's Theses English Animo Repository Photography Diaries—Authorship Families Film and Media Studies Photography
institution De La Salle University
building De La Salle University Library
continent Asia
country Philippines
Philippines
content_provider De La Salle University Library
collection DLSU Institutional Repository
language English
topic Photography
Diaries—Authorship
Families
Film and Media Studies
Photography
spellingShingle Photography
Diaries—Authorship
Families
Film and Media Studies
Photography
Madrid, Cathleen Jane De Leon
Maraña, Paula Bianca Masangkay
De Gracia, Bernice Romero
Layo: Kung Ilalarawan ang distansya
description This project is a 72-page autoethnographic perzine that documented the familial lives of three young women, two years into the COVID-19 pandemic. It was formed with authenticity in mind, using film photography and autoethnographic journalling. The women aimed to resonate through the photos of people they share spaces with, and have known all their lives. To do so, they tell their stories: of an ate having to watch her two younger brothers grow up in isolation; the life of a bunso yearning for independence, beyond the incessant care of her family; and the youngest of three that became two and the lingering grief that persists in the empty spaces of their home. The project was composed of two phases and was done during the last three months of the year when families often gather. For phase one, photos were taken spontaneously during the proponents’ daily lives. Madrid photographed her younger brothers, De Gracia her parents, and Marana her parents and brother. Lastly, the proponents wrote autoethnographic journals by hand: how quarantine affected their familial relationships and how the photos reflect this. During phase two of the project, the proponents identified common themes for the narrative. 30 photos were selected alongside the journal entries that accompanied them. These were then edited in Adobe Photoshop and then layouted in Adobe InDesign. 6 in. x 9 in. 72 pages, 37 spreads. The perzine is to be uploaded in Issuu, but will be printed with limited copies, to be given to the proponents’ family members.
format text
author Madrid, Cathleen Jane De Leon
Maraña, Paula Bianca Masangkay
De Gracia, Bernice Romero
author_facet Madrid, Cathleen Jane De Leon
Maraña, Paula Bianca Masangkay
De Gracia, Bernice Romero
author_sort Madrid, Cathleen Jane De Leon
title Layo: Kung Ilalarawan ang distansya
title_short Layo: Kung Ilalarawan ang distansya
title_full Layo: Kung Ilalarawan ang distansya
title_fullStr Layo: Kung Ilalarawan ang distansya
title_full_unstemmed Layo: Kung Ilalarawan ang distansya
title_sort layo: kung ilalarawan ang distansya
publisher Animo Repository
publishDate 2022
url https://animorepository.dlsu.edu.ph/etdb_comm/17
https://animorepository.dlsu.edu.ph/cgi/viewcontent.cgi?article=1017&context=etdb_comm
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