Thinking nude: An ekphrastic autotheoretical poetics of the constructed self (after Julie Lluch)

Thinking Nude: An ekphrastic autotheoretical poetics of the constructed self (after Julie Lluch) is a collection of five ekphrastic autotheoretical essays that engage with and are drawn from feminist theories. Speaking from my bodily experiences as a cisgender heterosexual female, the essays confron...

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Main Author: Dela Cruz, Patricia Amanda Juico
Format: text
Language:English
Published: Animo Repository 2023
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Online Access:https://animorepository.dlsu.edu.ph/etdm_lit/13
https://animorepository.dlsu.edu.ph/context/etdm_lit/article/1015/viewcontent/2023_DeLaCruz_Thinking_Nude__An_ekphrastic_autotheoretical_poetics_Full_text.pdf
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Institution: De La Salle University
Language: English
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spelling oai:animorepository.dlsu.edu.ph:etdm_lit-10152023-12-18T02:35:51Z Thinking nude: An ekphrastic autotheoretical poetics of the constructed self (after Julie Lluch) Dela Cruz, Patricia Amanda Juico Thinking Nude: An ekphrastic autotheoretical poetics of the constructed self (after Julie Lluch) is a collection of five ekphrastic autotheoretical essays that engage with and are drawn from feminist theories. Speaking from my bodily experiences as a cisgender heterosexual female, the essays confront the issues of childbearing and rearing, birth control and abortion, raunch culture and sexual pleasure, beauty myth, and heteronormativity. Although the issues that the essays are concerned with have been the preoccupation of Western second- and third-wave feminist struggles, my use of autotheory in the narratives decolonize the theories born out of these struggles into the context of and affirm their relentless significance to the bodily experiences of a millennial Filipino woman. Advocating further that these deeply personal experiences of the “I” are indeed political plights of women from the Philippines, and possibly beyond the borders until today, the works of visual art that the essays engage with act as visual metaphors that attest to the claim that the struggles of the “I” are shared by other Filipino women too. With this, I have consciously chosen works by contemporary Filipino woman visual artists. The “I” pose as, with, or beyond these artists’ terracotta, cold-cast marble, and porcelain sculptures; immersive glass art, scent, and taste installation; painting; and embroidery work. The interaction of my “I” in the essays with these artists’ visual works mimic the conversations among feminists the way they do in their consciousness-raising gatherings. 2023-11-18T08:00:00Z text application/pdf https://animorepository.dlsu.edu.ph/etdm_lit/13 https://animorepository.dlsu.edu.ph/context/etdm_lit/article/1015/viewcontent/2023_DeLaCruz_Thinking_Nude__An_ekphrastic_autotheoretical_poetics_Full_text.pdf Literature Master's Theses English Animo Repository Ekphrasis Feminism Creative Writing
institution De La Salle University
building De La Salle University Library
continent Asia
country Philippines
Philippines
content_provider De La Salle University Library
collection DLSU Institutional Repository
language English
topic Ekphrasis
Feminism
Creative Writing
spellingShingle Ekphrasis
Feminism
Creative Writing
Dela Cruz, Patricia Amanda Juico
Thinking nude: An ekphrastic autotheoretical poetics of the constructed self (after Julie Lluch)
description Thinking Nude: An ekphrastic autotheoretical poetics of the constructed self (after Julie Lluch) is a collection of five ekphrastic autotheoretical essays that engage with and are drawn from feminist theories. Speaking from my bodily experiences as a cisgender heterosexual female, the essays confront the issues of childbearing and rearing, birth control and abortion, raunch culture and sexual pleasure, beauty myth, and heteronormativity. Although the issues that the essays are concerned with have been the preoccupation of Western second- and third-wave feminist struggles, my use of autotheory in the narratives decolonize the theories born out of these struggles into the context of and affirm their relentless significance to the bodily experiences of a millennial Filipino woman. Advocating further that these deeply personal experiences of the “I” are indeed political plights of women from the Philippines, and possibly beyond the borders until today, the works of visual art that the essays engage with act as visual metaphors that attest to the claim that the struggles of the “I” are shared by other Filipino women too. With this, I have consciously chosen works by contemporary Filipino woman visual artists. The “I” pose as, with, or beyond these artists’ terracotta, cold-cast marble, and porcelain sculptures; immersive glass art, scent, and taste installation; painting; and embroidery work. The interaction of my “I” in the essays with these artists’ visual works mimic the conversations among feminists the way they do in their consciousness-raising gatherings.
format text
author Dela Cruz, Patricia Amanda Juico
author_facet Dela Cruz, Patricia Amanda Juico
author_sort Dela Cruz, Patricia Amanda Juico
title Thinking nude: An ekphrastic autotheoretical poetics of the constructed self (after Julie Lluch)
title_short Thinking nude: An ekphrastic autotheoretical poetics of the constructed self (after Julie Lluch)
title_full Thinking nude: An ekphrastic autotheoretical poetics of the constructed self (after Julie Lluch)
title_fullStr Thinking nude: An ekphrastic autotheoretical poetics of the constructed self (after Julie Lluch)
title_full_unstemmed Thinking nude: An ekphrastic autotheoretical poetics of the constructed self (after Julie Lluch)
title_sort thinking nude: an ekphrastic autotheoretical poetics of the constructed self (after julie lluch)
publisher Animo Repository
publishDate 2023
url https://animorepository.dlsu.edu.ph/etdm_lit/13
https://animorepository.dlsu.edu.ph/context/etdm_lit/article/1015/viewcontent/2023_DeLaCruz_Thinking_Nude__An_ekphrastic_autotheoretical_poetics_Full_text.pdf
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