Cloth weaving cloth, clay shaping clay: Toward a religion of beauty (or folkcrafts as a way of dwelling poetically)

Prompted by Heidegger's search for great art in the modern times, this paper looks into crafts as answering the philosopher's frustrated call. Using Soetsu Yanagi's idea of a "religion of beauty," which turns to the ordinary as beautiful, it suggests that crafts - carefully...

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Main Author: Garcia, Leni dlR.
Format: text
Published: Animo Repository 2016
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Online Access:https://animorepository.dlsu.edu.ph/faculty_research/485
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Institution: De La Salle University
id oai:animorepository.dlsu.edu.ph:faculty_research-1484
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spelling oai:animorepository.dlsu.edu.ph:faculty_research-14842021-12-16T08:19:52Z Cloth weaving cloth, clay shaping clay: Toward a religion of beauty (or folkcrafts as a way of dwelling poetically) Garcia, Leni dlR. Prompted by Heidegger's search for great art in the modern times, this paper looks into crafts as answering the philosopher's frustrated call. Using Soetsu Yanagi's idea of a "religion of beauty," which turns to the ordinary as beautiful, it suggests that crafts - carefully made by hand while considering its affinity with nature and the human body that uses it - is a way of being, the way Heidegger described the way of "dwelling poetically." Copyright 2012. C & E Publishing, Inc. All rights reserved. 2016-01-01T08:00:00Z text https://animorepository.dlsu.edu.ph/faculty_research/485 Faculty Research Work Animo Repository Ontology Folk art Philosophy
institution De La Salle University
building De La Salle University Library
continent Asia
country Philippines
Philippines
content_provider De La Salle University Library
collection DLSU Institutional Repository
topic Ontology
Folk art
Philosophy
spellingShingle Ontology
Folk art
Philosophy
Garcia, Leni dlR.
Cloth weaving cloth, clay shaping clay: Toward a religion of beauty (or folkcrafts as a way of dwelling poetically)
description Prompted by Heidegger's search for great art in the modern times, this paper looks into crafts as answering the philosopher's frustrated call. Using Soetsu Yanagi's idea of a "religion of beauty," which turns to the ordinary as beautiful, it suggests that crafts - carefully made by hand while considering its affinity with nature and the human body that uses it - is a way of being, the way Heidegger described the way of "dwelling poetically." Copyright 2012. C & E Publishing, Inc. All rights reserved.
format text
author Garcia, Leni dlR.
author_facet Garcia, Leni dlR.
author_sort Garcia, Leni dlR.
title Cloth weaving cloth, clay shaping clay: Toward a religion of beauty (or folkcrafts as a way of dwelling poetically)
title_short Cloth weaving cloth, clay shaping clay: Toward a religion of beauty (or folkcrafts as a way of dwelling poetically)
title_full Cloth weaving cloth, clay shaping clay: Toward a religion of beauty (or folkcrafts as a way of dwelling poetically)
title_fullStr Cloth weaving cloth, clay shaping clay: Toward a religion of beauty (or folkcrafts as a way of dwelling poetically)
title_full_unstemmed Cloth weaving cloth, clay shaping clay: Toward a religion of beauty (or folkcrafts as a way of dwelling poetically)
title_sort cloth weaving cloth, clay shaping clay: toward a religion of beauty (or folkcrafts as a way of dwelling poetically)
publisher Animo Repository
publishDate 2016
url https://animorepository.dlsu.edu.ph/faculty_research/485
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