Exploring the Dolphy bakla: Queerness in Philippine cinema

This chapter explores Philippine cinema’s representations of the bakla, a local gendered identitythat conflates ideas of male homosexuality and transgenderism. By examining the films of Dolphy, the chapter outlines tropes that have become associated with the bakla, including the conversion trope, wh...

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Main Author: Inton, Mikee N.
Format: text
Published: Animo Repository 2018
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Online Access:https://animorepository.dlsu.edu.ph/faculty_research/5942
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Institution: De La Salle University
id oai:animorepository.dlsu.edu.ph:faculty_research-6876
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spelling oai:animorepository.dlsu.edu.ph:faculty_research-68762022-05-31T08:37:55Z Exploring the Dolphy bakla: Queerness in Philippine cinema Inton, Mikee N. This chapter explores Philippine cinema’s representations of the bakla, a local gendered identitythat conflates ideas of male homosexuality and transgenderism. By examining the films of Dolphy, the chapter outlines tropes that have become associated with the bakla, including the conversion trope, where the bakla are forced to conform to traditional notions of masculinity. The chapter also identifies tensions between contemporary representations of the bakla as themasculine gay man and as the transgender woman in films – tensions that also exist within thewider Southeast Asian context. Looking at the bakla as the primary queer figure in Philippine cinema enables film audiences to examine more closely similar figures in other Asian cinemas: the kathoey of Thailand, the waria of Indonesia, and the mak-nyah of Malaysia 2018-01-01T08:00:00Z text https://animorepository.dlsu.edu.ph/faculty_research/5942 Faculty Research Work Animo Repository Gays in motion pictures Sexual minorities in motion pictures Film and Media Studies
institution De La Salle University
building De La Salle University Library
continent Asia
country Philippines
Philippines
content_provider De La Salle University Library
collection DLSU Institutional Repository
topic Gays in motion pictures
Sexual minorities in motion pictures
Film and Media Studies
spellingShingle Gays in motion pictures
Sexual minorities in motion pictures
Film and Media Studies
Inton, Mikee N.
Exploring the Dolphy bakla: Queerness in Philippine cinema
description This chapter explores Philippine cinema’s representations of the bakla, a local gendered identitythat conflates ideas of male homosexuality and transgenderism. By examining the films of Dolphy, the chapter outlines tropes that have become associated with the bakla, including the conversion trope, where the bakla are forced to conform to traditional notions of masculinity. The chapter also identifies tensions between contemporary representations of the bakla as themasculine gay man and as the transgender woman in films – tensions that also exist within thewider Southeast Asian context. Looking at the bakla as the primary queer figure in Philippine cinema enables film audiences to examine more closely similar figures in other Asian cinemas: the kathoey of Thailand, the waria of Indonesia, and the mak-nyah of Malaysia
format text
author Inton, Mikee N.
author_facet Inton, Mikee N.
author_sort Inton, Mikee N.
title Exploring the Dolphy bakla: Queerness in Philippine cinema
title_short Exploring the Dolphy bakla: Queerness in Philippine cinema
title_full Exploring the Dolphy bakla: Queerness in Philippine cinema
title_fullStr Exploring the Dolphy bakla: Queerness in Philippine cinema
title_full_unstemmed Exploring the Dolphy bakla: Queerness in Philippine cinema
title_sort exploring the dolphy bakla: queerness in philippine cinema
publisher Animo Repository
publishDate 2018
url https://animorepository.dlsu.edu.ph/faculty_research/5942
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