Exploring the Dolphy bakla: Queerness in Philippine cinema
This chapter explores Philippine cinema’s representations of the bakla, a local gendered identitythat conflates ideas of male homosexuality and transgenderism. By examining the films of Dolphy, the chapter outlines tropes that have become associated with the bakla, including the conversion trope, wh...
محفوظ في:
المؤلف الرئيسي: | Inton, Mikee N. |
---|---|
التنسيق: | text |
منشور في: |
Animo Repository
2018
|
الموضوعات: | |
الوصول للمادة أونلاين: | https://animorepository.dlsu.edu.ph/faculty_research/5942 |
الوسوم: |
إضافة وسم
لا توجد وسوم, كن أول من يضع وسما على هذه التسجيلة!
|
مواد مشابهة
-
A working paper on genderphobia in Southeast Asian cinema
بواسطة: Inton, Mikee N.
منشور في: (2014) -
The bakla and gay globality in Philippine mainstream and independent cinema
بواسطة: MICHAEL, INTON
منشور في: (2012) -
'Day beautiful: The re-presentation and transformation of the bakla in the selected films of Jun Lana
بواسطة: Roquero, Jenno
منشور في: (2024) -
Sward, bakla, gay: Language, labels, and gender roles in films, a reflection of the history of the gay community, 1978 - 2016
بواسطة: Kaluag, Alexandria Jamilla Bianca C.
منشور في: (2021) -
The bakla and the silver screen: Queer cinema in the Philippines
بواسطة: Nuñez, Inton Michael
منشور في: (2016)