A working paper on genderphobia in Southeast Asian cinema
n this paper, I intend to look at the cinematic portrayals of male-bodied queerness in gay-themed films from the Philippines, Thailand, and Indonesia. All three contexts have a similar long history of gender-bending and gender-crossing traditions, which still exist in contemporary forms today: the b...
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oai:animorepository.dlsu.edu.ph:faculty_research-81802022-10-22T00:49:45Z A working paper on genderphobia in Southeast Asian cinema Inton, Mikee N. n this paper, I intend to look at the cinematic portrayals of male-bodied queerness in gay-themed films from the Philippines, Thailand, and Indonesia. All three contexts have a similar long history of gender-bending and gender-crossing traditions, which still exist in contemporary forms today: the bakla from the Philippines, the kathoey of Thailand, and the waria of Indonesia. The paper will attempt to inter-reference these gender performances with each other, as well as articulate how concepts of 2014-01-01T08:00:00Z text https://animorepository.dlsu.edu.ph/faculty_research/7489 Faculty Research Work Animo Repository Transphobia—Southeast Asia Sexual minorities—Southeast Asia Gays in motion pictures Sexual minorities in motion pictures Gender and Sexuality Social and Behavioral Sciences |
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Transphobia—Southeast Asia Sexual minorities—Southeast Asia Gays in motion pictures Sexual minorities in motion pictures Gender and Sexuality Social and Behavioral Sciences |
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Transphobia—Southeast Asia Sexual minorities—Southeast Asia Gays in motion pictures Sexual minorities in motion pictures Gender and Sexuality Social and Behavioral Sciences Inton, Mikee N. A working paper on genderphobia in Southeast Asian cinema |
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n this paper, I intend to look at the cinematic portrayals of male-bodied queerness in gay-themed films from the Philippines, Thailand, and Indonesia. All three contexts have a similar long history of gender-bending and gender-crossing traditions, which still exist in contemporary forms today: the bakla from the Philippines, the kathoey of Thailand, and the waria of Indonesia. The paper will attempt to inter-reference these gender performances with each other, as well as articulate how concepts of |
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Inton, Mikee N. |
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Inton, Mikee N. |
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Inton, Mikee N. |
title |
A working paper on genderphobia in Southeast Asian cinema |
title_short |
A working paper on genderphobia in Southeast Asian cinema |
title_full |
A working paper on genderphobia in Southeast Asian cinema |
title_fullStr |
A working paper on genderphobia in Southeast Asian cinema |
title_full_unstemmed |
A working paper on genderphobia in Southeast Asian cinema |
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working paper on genderphobia in southeast asian cinema |
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Animo Repository |
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2014 |
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https://animorepository.dlsu.edu.ph/faculty_research/7489 |
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