Ginhawa as Ethic of Panatà: Body Politics and the Devotion to the Black Nazarene

Operating within the ambiguity of the sacred and the secular, the devotion to the Black Nazarene in Quiapo is expressed in the different body performances and prayers directed towards the poón (image). These devotions, narratives, and norms make possible not only the performance, but also the celebr...

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Main Author: Calano, Mark Joseph T.
Format: text
Published: Archīum Ateneo 2024
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Online Access:https://archium.ateneo.edu/budhi/vol22/iss2/3
https://archium.ateneo.edu/context/budhi/article/1440/viewcontent/Budhi_2022.2_203_20Article_20__20Calano.pdf
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Institution: Ateneo De Manila University
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spelling ph-ateneo-arc.budhi-14402024-11-27T07:36:03Z Ginhawa as Ethic of Panatà: Body Politics and the Devotion to the Black Nazarene Calano, Mark Joseph T. Operating within the ambiguity of the sacred and the secular, the devotion to the Black Nazarene in Quiapo is expressed in the different body performances and prayers directed towards the poón (image). These devotions, narratives, and norms make possible not only the performance, but also the celebration and repetition of faith experiences mediated by the body. The paper investigates the linguistic and body performances that makes possible one of the most attended religious performances in the Philippines in three parts. The first part looks into the body dynamics involved when participating in the devotion to the Black Nazarene. On the one hand, it discusses paghalik (to kiss) and paghawak (to touch) as the desire to concretely and sincerely engage the divine; on the other hand, it looks into pagyayapak (to go barefoot) and paglalakad ng paluhod (to walk on bended knees) as mimesis understood as imitation (imitation). Within the bigger picture of the devotion discussed in the first part, the second part enlarges the body positioning involved in the traslacion in terms of pagpasan (to carry) and pagsalang (to immerse). These performances intimates Aristotle’s hexis and Pierre Bourdieu’s ‘feel for the game’ that makes possible interpreting rhythmic movement and action as an ethos (ethics). The third part resituates these body/linguistic performances directed towards the Black Nazarene in relation to the ‘constant negotiation’ involved for the devotees’ daily life understood as the Filipino passion for ginhawa. In doing so, it locates the performance of the devotion in the context of everyday work life (as hanap-buhay), but also in the celebration of sacrifice (as pagtawad) and forgiveness (as patawad). 2024-11-27T07:53:23Z text application/pdf https://archium.ateneo.edu/budhi/vol22/iss2/3 https://archium.ateneo.edu/context/budhi/article/1440/viewcontent/Budhi_2022.2_203_20Article_20__20Calano.pdf Budhi: A Journal of Ideas and Culture Archīum Ateneo Body/Linguistic Performances traslacion Black Nazarene ginhawa and sacrifice
institution Ateneo De Manila University
building Ateneo De Manila University Library
continent Asia
country Philippines
Philippines
content_provider Ateneo De Manila University Library
collection archium.Ateneo Institutional Repository
topic Body/Linguistic Performances
traslacion
Black Nazarene
ginhawa
and sacrifice
spellingShingle Body/Linguistic Performances
traslacion
Black Nazarene
ginhawa
and sacrifice
Calano, Mark Joseph T.
Ginhawa as Ethic of Panatà: Body Politics and the Devotion to the Black Nazarene
description Operating within the ambiguity of the sacred and the secular, the devotion to the Black Nazarene in Quiapo is expressed in the different body performances and prayers directed towards the poón (image). These devotions, narratives, and norms make possible not only the performance, but also the celebration and repetition of faith experiences mediated by the body. The paper investigates the linguistic and body performances that makes possible one of the most attended religious performances in the Philippines in three parts. The first part looks into the body dynamics involved when participating in the devotion to the Black Nazarene. On the one hand, it discusses paghalik (to kiss) and paghawak (to touch) as the desire to concretely and sincerely engage the divine; on the other hand, it looks into pagyayapak (to go barefoot) and paglalakad ng paluhod (to walk on bended knees) as mimesis understood as imitation (imitation). Within the bigger picture of the devotion discussed in the first part, the second part enlarges the body positioning involved in the traslacion in terms of pagpasan (to carry) and pagsalang (to immerse). These performances intimates Aristotle’s hexis and Pierre Bourdieu’s ‘feel for the game’ that makes possible interpreting rhythmic movement and action as an ethos (ethics). The third part resituates these body/linguistic performances directed towards the Black Nazarene in relation to the ‘constant negotiation’ involved for the devotees’ daily life understood as the Filipino passion for ginhawa. In doing so, it locates the performance of the devotion in the context of everyday work life (as hanap-buhay), but also in the celebration of sacrifice (as pagtawad) and forgiveness (as patawad).
format text
author Calano, Mark Joseph T.
author_facet Calano, Mark Joseph T.
author_sort Calano, Mark Joseph T.
title Ginhawa as Ethic of Panatà: Body Politics and the Devotion to the Black Nazarene
title_short Ginhawa as Ethic of Panatà: Body Politics and the Devotion to the Black Nazarene
title_full Ginhawa as Ethic of Panatà: Body Politics and the Devotion to the Black Nazarene
title_fullStr Ginhawa as Ethic of Panatà: Body Politics and the Devotion to the Black Nazarene
title_full_unstemmed Ginhawa as Ethic of Panatà: Body Politics and the Devotion to the Black Nazarene
title_sort ginhawa as ethic of panatà: body politics and the devotion to the black nazarene
publisher Archīum Ateneo
publishDate 2024
url https://archium.ateneo.edu/budhi/vol22/iss2/3
https://archium.ateneo.edu/context/budhi/article/1440/viewcontent/Budhi_2022.2_203_20Article_20__20Calano.pdf
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