Queer recognition and politics on YouTube: the circulation of Filipino Miss Universe fans’ reaction videos

One popular genre of YouTube content in the Philippines is the Miss Universe reaction video made by queer fans during pageant viewing parties. The videos show hysterical and dramatic expressions of fans which are conceptualized as a form of queer expression, kabaklaan [Diaz (2018). Biyuti from below...

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Main Author: Lorenzana, Jozon A
Format: text
Published: Archīum Ateneo 2022
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Online Access:https://archium.ateneo.edu/comm-faculty-pubs/23
https://doi.org/10.1080/01292986.2022.2063913
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spelling ph-ateneo-arc.comm-faculty-pubs-10222022-12-07T01:49:47Z Queer recognition and politics on YouTube: the circulation of Filipino Miss Universe fans’ reaction videos Lorenzana, Jozon A One popular genre of YouTube content in the Philippines is the Miss Universe reaction video made by queer fans during pageant viewing parties. The videos show hysterical and dramatic expressions of fans which are conceptualized as a form of queer expression, kabaklaan [Diaz (2018). Biyuti from below: Contemporary Philippine cinema and the transing of Kabaklaan. Transgender Studies Quarterly, 5(3), 404–424]. By analyzing the circulation of the videos, the present study aims to identify the roles of YouTube users and digital platforms in the transformations of the queer expression. My findings suggest that the affordances of YouTube (visibility, participation, dissemination) contribute to the commodification of the reaction videos and the popularization of queer emotional performances. At the same time, YouTube provides a facility where users can participate in the politics of queer recognition. The study shows how circulation can account for cultural transformations and continuity on digital platforms. 2022-01-01T08:00:00Z text https://archium.ateneo.edu/comm-faculty-pubs/23 https://doi.org/10.1080/01292986.2022.2063913 Department of Communication Faculty Publications Archīum Ateneo Circulation kabaklaan queer beauty pageants reaction videos digital platforms Arts and Humanities Communication Communication Technology and New Media Feminist, Gender, and Sexuality Studies Film and Media Studies Lesbian, Gay, Bisexual, and Transgender Studies Other Film and Media Studies Social and Behavioral Sciences Social Media South and Southeast Asian Languages and Societies
institution Ateneo De Manila University
building Ateneo De Manila University Library
continent Asia
country Philippines
Philippines
content_provider Ateneo De Manila University Library
collection archium.Ateneo Institutional Repository
topic Circulation
kabaklaan
queer
beauty pageants
reaction videos
digital platforms
Arts and Humanities
Communication
Communication Technology and New Media
Feminist, Gender, and Sexuality Studies
Film and Media Studies
Lesbian, Gay, Bisexual, and Transgender Studies
Other Film and Media Studies
Social and Behavioral Sciences
Social Media
South and Southeast Asian Languages and Societies
spellingShingle Circulation
kabaklaan
queer
beauty pageants
reaction videos
digital platforms
Arts and Humanities
Communication
Communication Technology and New Media
Feminist, Gender, and Sexuality Studies
Film and Media Studies
Lesbian, Gay, Bisexual, and Transgender Studies
Other Film and Media Studies
Social and Behavioral Sciences
Social Media
South and Southeast Asian Languages and Societies
Lorenzana, Jozon A
Queer recognition and politics on YouTube: the circulation of Filipino Miss Universe fans’ reaction videos
description One popular genre of YouTube content in the Philippines is the Miss Universe reaction video made by queer fans during pageant viewing parties. The videos show hysterical and dramatic expressions of fans which are conceptualized as a form of queer expression, kabaklaan [Diaz (2018). Biyuti from below: Contemporary Philippine cinema and the transing of Kabaklaan. Transgender Studies Quarterly, 5(3), 404–424]. By analyzing the circulation of the videos, the present study aims to identify the roles of YouTube users and digital platforms in the transformations of the queer expression. My findings suggest that the affordances of YouTube (visibility, participation, dissemination) contribute to the commodification of the reaction videos and the popularization of queer emotional performances. At the same time, YouTube provides a facility where users can participate in the politics of queer recognition. The study shows how circulation can account for cultural transformations and continuity on digital platforms.
format text
author Lorenzana, Jozon A
author_facet Lorenzana, Jozon A
author_sort Lorenzana, Jozon A
title Queer recognition and politics on YouTube: the circulation of Filipino Miss Universe fans’ reaction videos
title_short Queer recognition and politics on YouTube: the circulation of Filipino Miss Universe fans’ reaction videos
title_full Queer recognition and politics on YouTube: the circulation of Filipino Miss Universe fans’ reaction videos
title_fullStr Queer recognition and politics on YouTube: the circulation of Filipino Miss Universe fans’ reaction videos
title_full_unstemmed Queer recognition and politics on YouTube: the circulation of Filipino Miss Universe fans’ reaction videos
title_sort queer recognition and politics on youtube: the circulation of filipino miss universe fans’ reaction videos
publisher Archīum Ateneo
publishDate 2022
url https://archium.ateneo.edu/comm-faculty-pubs/23
https://doi.org/10.1080/01292986.2022.2063913
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