As Aschenbach ('Who setting out to voyage must have imagined which shores to avoid')
The poem is part of a manuscript I am currently working on, which is my attempt to project a mode of disclosure, even as the method of composition, involving the liberal extraction and combination of passages from several urtexts, works against this seeming tonality. The poem loosely channels the co...
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Archīum Ateneo
2019
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| Online Access: | https://archium.ateneo.edu/english-faculty-pubs/87 https://archium.ateneo.edu/cgi/viewcontent.cgi?article=1086&context=english-faculty-pubs |
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ph-ateneo-arc.english-faculty-pubs-10862020-07-13T10:43:19Z As Aschenbach ('Who setting out to voyage must have imagined which shores to avoid') Cayanan, Mark Anthony The poem is part of a manuscript I am currently working on, which is my attempt to project a mode of disclosure, even as the method of composition, involving the liberal extraction and combination of passages from several urtexts, works against this seeming tonality. The poem loosely channels the consciousness of Gustav von Aschenbach. Among the intertexts I've used are Death in Venice by Thomas Mann, translated by Stanley Appelbaum 2019-09-22T07:00:00Z text application/pdf https://archium.ateneo.edu/english-faculty-pubs/87 https://archium.ateneo.edu/cgi/viewcontent.cgi?article=1086&context=english-faculty-pubs English Faculty Publications Archīum Ateneo poetry essay Creative Writing Nonfiction Poetry |
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Ateneo De Manila University |
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Ateneo De Manila University Library |
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Asia |
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Philippines Philippines |
| content_provider |
Ateneo De Manila University Library |
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archium.Ateneo Institutional Repository |
| topic |
poetry essay Creative Writing Nonfiction Poetry |
| spellingShingle |
poetry essay Creative Writing Nonfiction Poetry Cayanan, Mark Anthony As Aschenbach ('Who setting out to voyage must have imagined which shores to avoid') |
| description |
The poem is part of a manuscript I am currently working on, which is my attempt to project a mode of disclosure, even as the method of composition, involving the liberal extraction and combination of passages from several urtexts, works against this seeming tonality. The poem loosely channels the consciousness of Gustav von Aschenbach. Among the intertexts I've used are Death in Venice by Thomas Mann, translated by Stanley Appelbaum |
| format |
text |
| author |
Cayanan, Mark Anthony |
| author_facet |
Cayanan, Mark Anthony |
| author_sort |
Cayanan, Mark Anthony |
| title |
As Aschenbach ('Who setting out to voyage must have imagined which shores to avoid') |
| title_short |
As Aschenbach ('Who setting out to voyage must have imagined which shores to avoid') |
| title_full |
As Aschenbach ('Who setting out to voyage must have imagined which shores to avoid') |
| title_fullStr |
As Aschenbach ('Who setting out to voyage must have imagined which shores to avoid') |
| title_full_unstemmed |
As Aschenbach ('Who setting out to voyage must have imagined which shores to avoid') |
| title_sort |
as aschenbach ('who setting out to voyage must have imagined which shores to avoid') |
| publisher |
Archīum Ateneo |
| publishDate |
2019 |
| url |
https://archium.ateneo.edu/english-faculty-pubs/87 https://archium.ateneo.edu/cgi/viewcontent.cgi?article=1086&context=english-faculty-pubs |
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