Framing Kian
The late art critic John Berger said that photography always flirts with death because it stops the flow of life. And in Raffy Lerma’s photograph of Kian Lloyd Delos Santos lying in a coffin with a chick pecking at its glass pane, this flirtation becomes interminable, a constant play of sound and de...
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| Format: | text |
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Archīum Ateneo
2020
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| Online Access: | https://archium.ateneo.edu/filipino-faculty-pubs/62 https://www.jstor.org/stable/10.5749/vergstudglobasia.6.1.0023 |
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| Institution: | Ateneo De Manila University |