Bi-Phasic Dissonance in some Pinoy Boys’ Love Series

The growing fascination with Pinoy Boy’s Love (BL) series, such as Gameboys, Hello Stranger, and Quaranthings can be construed as part of the long struggle of LGBTQI community for more inclusivity as most of its fans were also fans of Thai Boy’s Love series called “lakhon,” according to scholar Thom...

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Main Author: Devilles, Gary C
Format: text
Published: Archīum Ateneo 2022
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Online Access:https://archium.ateneo.edu/filipino-faculty-pubs/91
https://www.dlsu.edu.ph/research/publishing-house/journals/akda/articles/dissonance-in-boys-love-series/
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spelling ph-ateneo-arc.filipino-faculty-pubs-10902022-03-11T02:13:18Z Bi-Phasic Dissonance in some Pinoy Boys’ Love Series Devilles, Gary C The growing fascination with Pinoy Boy’s Love (BL) series, such as Gameboys, Hello Stranger, and Quaranthings can be construed as part of the long struggle of LGBTQI community for more inclusivity as most of its fans were also fans of Thai Boy’s Love series called “lakhon,” according to scholar Thomas Baudinette who studied that Pinoy fan sites actively appropriate or “creatively misread” these series. My paper now would like to follow up on the efficacy of these reparative readings in Pinoy BL series, if the creative misreading in Thai BL series can be carried over to their Pinoy BL counterparts, and how such readings fare with the culture of “machismo” or toxic masculinity that perpetuates in Philippine society. My approach will focus more on a closed reading of selected Pinoy BLs, namely, Gameboys, Hello Stranger, and Quaranthings and prove that in as much as these BL series offer safe space or creative appropriations for LGBTQI communities, they are also enablers of the status quo of homophobia, heteronormativity, and toxic masculinity. I argue that the same mechanism behind this fascination can be attributed to what Theodor Adorno would call the bi-phasic dissonance between general attitudes of homophobia and specific behaviors of heteronormativity, which reinforces an atmosphere of social contentment and ultimately avoids more critical and solemn speculation about the state’s role in our dire situation, in this pandemic. 2022-01-01T08:00:00Z text https://archium.ateneo.edu/filipino-faculty-pubs/91 https://www.dlsu.edu.ph/research/publishing-house/journals/akda/articles/dissonance-in-boys-love-series/ Filipino Faculty Publications Archīum Ateneo Pinoy BL series bi-phasic behavior homophobia heteronormativity middle class interests Film and Media Studies Gender and Sexuality Lesbian, Gay, Bisexual, and Transgender Studies South and Southeast Asian Languages and Societies
institution Ateneo De Manila University
building Ateneo De Manila University Library
continent Asia
country Philippines
Philippines
content_provider Ateneo De Manila University Library
collection archium.Ateneo Institutional Repository
topic Pinoy BL series
bi-phasic behavior
homophobia
heteronormativity
middle class interests
Film and Media Studies
Gender and Sexuality
Lesbian, Gay, Bisexual, and Transgender Studies
South and Southeast Asian Languages and Societies
spellingShingle Pinoy BL series
bi-phasic behavior
homophobia
heteronormativity
middle class interests
Film and Media Studies
Gender and Sexuality
Lesbian, Gay, Bisexual, and Transgender Studies
South and Southeast Asian Languages and Societies
Devilles, Gary C
Bi-Phasic Dissonance in some Pinoy Boys’ Love Series
description The growing fascination with Pinoy Boy’s Love (BL) series, such as Gameboys, Hello Stranger, and Quaranthings can be construed as part of the long struggle of LGBTQI community for more inclusivity as most of its fans were also fans of Thai Boy’s Love series called “lakhon,” according to scholar Thomas Baudinette who studied that Pinoy fan sites actively appropriate or “creatively misread” these series. My paper now would like to follow up on the efficacy of these reparative readings in Pinoy BL series, if the creative misreading in Thai BL series can be carried over to their Pinoy BL counterparts, and how such readings fare with the culture of “machismo” or toxic masculinity that perpetuates in Philippine society. My approach will focus more on a closed reading of selected Pinoy BLs, namely, Gameboys, Hello Stranger, and Quaranthings and prove that in as much as these BL series offer safe space or creative appropriations for LGBTQI communities, they are also enablers of the status quo of homophobia, heteronormativity, and toxic masculinity. I argue that the same mechanism behind this fascination can be attributed to what Theodor Adorno would call the bi-phasic dissonance between general attitudes of homophobia and specific behaviors of heteronormativity, which reinforces an atmosphere of social contentment and ultimately avoids more critical and solemn speculation about the state’s role in our dire situation, in this pandemic.
format text
author Devilles, Gary C
author_facet Devilles, Gary C
author_sort Devilles, Gary C
title Bi-Phasic Dissonance in some Pinoy Boys’ Love Series
title_short Bi-Phasic Dissonance in some Pinoy Boys’ Love Series
title_full Bi-Phasic Dissonance in some Pinoy Boys’ Love Series
title_fullStr Bi-Phasic Dissonance in some Pinoy Boys’ Love Series
title_full_unstemmed Bi-Phasic Dissonance in some Pinoy Boys’ Love Series
title_sort bi-phasic dissonance in some pinoy boys’ love series
publisher Archīum Ateneo
publishDate 2022
url https://archium.ateneo.edu/filipino-faculty-pubs/91
https://www.dlsu.edu.ph/research/publishing-house/journals/akda/articles/dissonance-in-boys-love-series/
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