Transforming Tradition in the Dance Drama Realizing Rama, 1997-2006: Documenting the Process of Inter-Creation" in an ASEAN Production"

• Main Author: Tiongson, Nicanor G
• Format: text
• Published: Archīum Ateneo 2019
• Subjects: Realizing Rama; Tiongson; Theatre and Performance Studies
• Online Access: https://archium.ateneo.edu/is-faculty-pubs/10; https://web.a.ebscohost.com/abstract?direct=true&profile=ehost&scope=site&authtype=crawler&jrnl=20949219&AN=141672421&h=n70J1GFaORoSbj4qlm0lZo%2bMsrTfaFwySwI91ZlrlzmCix7C8EfwQDMC2htJlpq71%2bqzSuApmN5TMuKAMUcyVQ%3d%3d&crl=c&resultNs=AdminWebAuth&resultLocal=ErrCrlNotAuth&crlhashurl=login.aspx%3fdirect%3dtrue%26profile%3dehost%26scope%3dsite%26authtype%3dcrawler%26jrnl%3d20949219%26AN%3d141672421
• Institution: Ateneo De Manila University

This article seeks to examine three aspects of the pioneering production Realizing Rama (1997-2006), a collaboration among artists from the ASEAN. First, it will describe and critique the process of inter-creation among traditional and modern artists that gave birth to a production style that was palpably Southeast Asian in tonality, movement, and visuality without being stereotyped as "ethnic." Second, it will explicate and evaluate the participation of ASEAN artists in the productions and the changes they undertook in the process of creating and performing the work. Third, it will describe audience reaction to Realizing Rama in and outside the ASEAN region. This study will show that the creation of Realizing Rama paralleled the initial realization of an ASEAN performing arts aesthetics and the creation of a paradigm for the process of artistic creation in an ASEAN artistic community.