The Long Take: Passage as Form in the Philippine Film
The essay evolves a thesis around the scene in Manila by Night involving a gay couturier (Manay Sharon) and a blind masseuse (Bea) who weave through a dark alley in the city and engage in a meandering exchange. It asks the question: Can Philippine film theory contemplate a different notion of “passa...
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| Format: | text |
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Archīum Ateneo
2024
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| Online Access: | https://archium.ateneo.edu/kk/vol1/iss19/5 https://archium.ateneo.edu/context/kk/article/1323/viewcontent/_5BKKv00n19_2012_5D_202.3_ForumKritika_Flores.pdf |
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| Institution: | Ateneo De Manila University |