Conflicting Counter-Hegemonies?: The Dramaturgy of James Connolly and Sean O'Casey
This paper examines the radicalism of James Connolly through the optic of theatre and performance. In particular, I test his only extant play-script—written shortly before his death—against the hostile critique of the dramatist Seán O’Casey. Despite the biographical similarities between these two me...
محفوظ في:
المؤلف الرئيسي: | |
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التنسيق: | text |
منشور في: |
Archīum Ateneo
2024
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الموضوعات: | |
الوصول للمادة أونلاين: | https://archium.ateneo.edu/kk/vol1/iss21/30 https://archium.ateneo.edu/context/kk/article/1526/viewcontent/_5BKKv00n21_2022_2013_202014_5D_205.9_ForumKritika_Moran.pdf |
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المؤسسة: | Ateneo De Manila University |