We The Divided: Partitions of Performance in the Ceramic State

We The Divided: Partitions of Performance in the Ceramic State

The common association between theater and community is here inverted to explore the relationship between theatrical practice and immunity, or “affects of adjustment” between spectator and event. Drawing upon Roberto Esposito’s figuring of relations between community and immunity, on Jacques Rancier...

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Bibliographic Details
Main Author: Read, Alan
Format: text
Published: Archīum Ateneo 2024
Subjects:
affects of adjustment
community
ceramic state
curation
division
emancipation
immersion
immunity
participation
partition
performance
precarity
shame
spectator
theater
Online Access:https://archium.ateneo.edu/kk/vol1/iss30/20
https://archium.ateneo.edu/context/kk/article/1753/viewcontent/KK_2030_2C_202018_20_26_2031_2C_202018_2020_20Forum_20Kritika_20on_20Radical_20Cultural_20Responses_20to_20Crises_20in_20Urban_20Democracy_20__20Read.pdf
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Institution: Ateneo De Manila University

Internet

https://archium.ateneo.edu/kk/vol1/iss30/20
https://archium.ateneo.edu/context/kk/article/1753/viewcontent/KK_2030_2C_202018_20_26_2031_2C_202018_2020_20Forum_20Kritika_20on_20Radical_20Cultural_20Responses_20to_20Crises_20in_20Urban_20Democracy_20__20Read.pdf

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