Building Consistent Policies on Subsidies in the Film Industry: Institutions and Instruments in France and Korea

This paper explores a much-neglected aspect of cultural policies: the role of the institutions in charge and the way they use the instruments at their disposal. It focuses on the film industry which offers the remarkable contrast on how the Korean film industry has outperformed the French one in les...

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Main Author: Messerlin, Patrick
Format: text
Published: Archīum Ateneo 2024
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Online Access:https://archium.ateneo.edu/kk/vol1/iss32/19
https://archium.ateneo.edu/context/kk/article/1789/viewcontent/KK_2032_2C_202019_2019_20Special_20Forum_20Kritika_20__20Messerlin.pdf
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Institution: Ateneo De Manila University
id ph-ateneo-arc.kk-1789
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spelling ph-ateneo-arc.kk-17892024-12-19T03:06:03Z Building Consistent Policies on Subsidies in the Film Industry: Institutions and Instruments in France and Korea Messerlin, Patrick This paper explores a much-neglected aspect of cultural policies: the role of the institutions in charge and the way they use the instruments at their disposal. It focuses on the film industry which offers the remarkable contrast on how the Korean film industry has outperformed the French one in less than twenty years. This paper provides three conclusions. First, it presents an economic analysis of the French and Korean institutions which shows that building a rich organization with a large degree of freedom for action and granting extensive subsidies is not a sure recipe for the success of the country’s film industry. Second, it explains this paradox by the types of subsidies used by the institutions—whether these subsidies target narrowly defined goals (on a film-per-film basis), or have objectives broad enough to benefit potentially all participants in the film industry, such as improving the infrastructure needed for producing films (studios, schools for actors). Last but not least, this paradox is also due to the abundance of subsidies and measures of all types at the disposal of rich institutions, which can easily become a source of costly inconsistencies. This paper provides two illustrations of these conflicts among the instruments provided. 2024-12-19T03:09:59Z text application/pdf https://archium.ateneo.edu/kk/vol1/iss32/19 info:doi/10.13185/1656-152x.1789 https://archium.ateneo.edu/context/kk/article/1789/viewcontent/KK_2032_2C_202019_2019_20Special_20Forum_20Kritika_20__20Messerlin.pdf Kritika Kultura Archīum Ateneo consistent film policies; film industry; institutions; principal-agent dilemma; subsidies
institution Ateneo De Manila University
building Ateneo De Manila University Library
continent Asia
country Philippines
Philippines
content_provider Ateneo De Manila University Library
collection archium.Ateneo Institutional Repository
topic consistent film policies; film industry; institutions; principal-agent dilemma; subsidies
spellingShingle consistent film policies; film industry; institutions; principal-agent dilemma; subsidies
Messerlin, Patrick
Building Consistent Policies on Subsidies in the Film Industry: Institutions and Instruments in France and Korea
description This paper explores a much-neglected aspect of cultural policies: the role of the institutions in charge and the way they use the instruments at their disposal. It focuses on the film industry which offers the remarkable contrast on how the Korean film industry has outperformed the French one in less than twenty years. This paper provides three conclusions. First, it presents an economic analysis of the French and Korean institutions which shows that building a rich organization with a large degree of freedom for action and granting extensive subsidies is not a sure recipe for the success of the country’s film industry. Second, it explains this paradox by the types of subsidies used by the institutions—whether these subsidies target narrowly defined goals (on a film-per-film basis), or have objectives broad enough to benefit potentially all participants in the film industry, such as improving the infrastructure needed for producing films (studios, schools for actors). Last but not least, this paradox is also due to the abundance of subsidies and measures of all types at the disposal of rich institutions, which can easily become a source of costly inconsistencies. This paper provides two illustrations of these conflicts among the instruments provided.
format text
author Messerlin, Patrick
author_facet Messerlin, Patrick
author_sort Messerlin, Patrick
title Building Consistent Policies on Subsidies in the Film Industry: Institutions and Instruments in France and Korea
title_short Building Consistent Policies on Subsidies in the Film Industry: Institutions and Instruments in France and Korea
title_full Building Consistent Policies on Subsidies in the Film Industry: Institutions and Instruments in France and Korea
title_fullStr Building Consistent Policies on Subsidies in the Film Industry: Institutions and Instruments in France and Korea
title_full_unstemmed Building Consistent Policies on Subsidies in the Film Industry: Institutions and Instruments in France and Korea
title_sort building consistent policies on subsidies in the film industry: institutions and instruments in france and korea
publisher Archīum Ateneo
publishDate 2024
url https://archium.ateneo.edu/kk/vol1/iss32/19
https://archium.ateneo.edu/context/kk/article/1789/viewcontent/KK_2032_2C_202019_2019_20Special_20Forum_20Kritika_20__20Messerlin.pdf
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