Accented Spatial Representations in the Internal Exilic Eelam-Tamil Film Viduthalai Moochu

Studies have shown that accented filmmaking features and strategies are indeed appearing in wide-ranging films of contemporary cinemas. The main focus of this paper is to analyze Viduthalai Moochu, an internal exilic Eelam-Tamil film from Sri Lanka, using a concept derived from Hamid Naficy’s theori...

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Main Authors: Loganathan, Ramesh, Pillai, Shanthini, Krish, Pramela
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Published: Archīum Ateneo 2024
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Online Access:https://archium.ateneo.edu/kk/vol1/iss33/23
https://archium.ateneo.edu/context/kk/article/1815/viewcontent/KK_2033_2C_202019_2C_20_26_2034_2C_202020_2024_20Forum_20Kritika_20on_20the_20Shifting_20Frontiers_20of_20Literary_20Studies_20in_20the_20Twenty_First_20Century_20__20Loganathan_2C_20Pillai_2C_20Krish.pdf
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spelling ph-ateneo-arc.kk-18152024-12-19T03:24:03Z Accented Spatial Representations in the Internal Exilic Eelam-Tamil Film Viduthalai Moochu Loganathan, Ramesh Pillai, Shanthini Krish, Pramela Studies have shown that accented filmmaking features and strategies are indeed appearing in wide-ranging films of contemporary cinemas. The main focus of this paper is to analyze Viduthalai Moochu, an internal exilic Eelam-Tamil film from Sri Lanka, using a concept derived from Hamid Naficy’s theorization of An Accented Cinema known as the “preoccupation with the place.” The concept is cinematically expressed through the open, closed, and third space- time cinematic formations. It needs to be noted here that Naficy’s theory offers a range of accented cinematic features that express accent in the film. However, the paper will only focus on the film’s spatial representations that are configured according to the space-time formations. Space-time formations are cinematic features that are employed to produce and reproduce the “accent” through cinematic representations of spaces and places rendered in the film. The configurations of the space-time formations will be used as the basis to examine Viduthalai Moochu, a film that does not seem to demonstrate the familiar conventions of filmmaking. The film mainly grapples with themes that enunciate the Eelam-Tamil displacement and deterritorialization in the internal exilic situation. The analysis shows how a particular version of alternative filmmaking strategy exclusively uses spatial representations to render themes of displacement and deterritorialization. The findings prove that the makers of Viduthalai Moochu have indeed employed the space-time formations to highlight the displacement and the deterritorialization of the Eelam-Tamil community through cinematic spatial representations. 2024-12-19T06:05:23Z text application/pdf https://archium.ateneo.edu/kk/vol1/iss33/23 info:doi/10.13185/1656-152x.1815 https://archium.ateneo.edu/context/kk/article/1815/viewcontent/KK_2033_2C_202019_2C_20_26_2034_2C_202020_2024_20Forum_20Kritika_20on_20the_20Shifting_20Frontiers_20of_20Literary_20Studies_20in_20the_20Twenty_First_20Century_20__20Loganathan_2C_20Pillai_2C_20Krish.pdf Kritika Kultura Archīum Ateneo accent; deterritorialization; displacement; preoccupation; space-time
institution Ateneo De Manila University
building Ateneo De Manila University Library
continent Asia
country Philippines
Philippines
content_provider Ateneo De Manila University Library
collection archium.Ateneo Institutional Repository
topic accent; deterritorialization; displacement; preoccupation; space-time
spellingShingle accent; deterritorialization; displacement; preoccupation; space-time
Loganathan, Ramesh
Pillai, Shanthini
Krish, Pramela
Accented Spatial Representations in the Internal Exilic Eelam-Tamil Film Viduthalai Moochu
description Studies have shown that accented filmmaking features and strategies are indeed appearing in wide-ranging films of contemporary cinemas. The main focus of this paper is to analyze Viduthalai Moochu, an internal exilic Eelam-Tamil film from Sri Lanka, using a concept derived from Hamid Naficy’s theorization of An Accented Cinema known as the “preoccupation with the place.” The concept is cinematically expressed through the open, closed, and third space- time cinematic formations. It needs to be noted here that Naficy’s theory offers a range of accented cinematic features that express accent in the film. However, the paper will only focus on the film’s spatial representations that are configured according to the space-time formations. Space-time formations are cinematic features that are employed to produce and reproduce the “accent” through cinematic representations of spaces and places rendered in the film. The configurations of the space-time formations will be used as the basis to examine Viduthalai Moochu, a film that does not seem to demonstrate the familiar conventions of filmmaking. The film mainly grapples with themes that enunciate the Eelam-Tamil displacement and deterritorialization in the internal exilic situation. The analysis shows how a particular version of alternative filmmaking strategy exclusively uses spatial representations to render themes of displacement and deterritorialization. The findings prove that the makers of Viduthalai Moochu have indeed employed the space-time formations to highlight the displacement and the deterritorialization of the Eelam-Tamil community through cinematic spatial representations.
format text
author Loganathan, Ramesh
Pillai, Shanthini
Krish, Pramela
author_facet Loganathan, Ramesh
Pillai, Shanthini
Krish, Pramela
author_sort Loganathan, Ramesh
title Accented Spatial Representations in the Internal Exilic Eelam-Tamil Film Viduthalai Moochu
title_short Accented Spatial Representations in the Internal Exilic Eelam-Tamil Film Viduthalai Moochu
title_full Accented Spatial Representations in the Internal Exilic Eelam-Tamil Film Viduthalai Moochu
title_fullStr Accented Spatial Representations in the Internal Exilic Eelam-Tamil Film Viduthalai Moochu
title_full_unstemmed Accented Spatial Representations in the Internal Exilic Eelam-Tamil Film Viduthalai Moochu
title_sort accented spatial representations in the internal exilic eelam-tamil film viduthalai moochu
publisher Archīum Ateneo
publishDate 2024
url https://archium.ateneo.edu/kk/vol1/iss33/23
https://archium.ateneo.edu/context/kk/article/1815/viewcontent/KK_2033_2C_202019_2C_20_26_2034_2C_202020_2024_20Forum_20Kritika_20on_20the_20Shifting_20Frontiers_20of_20Literary_20Studies_20in_20the_20Twenty_First_20Century_20__20Loganathan_2C_20Pillai_2C_20Krish.pdf
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