Mapping the Sea Islands Culture in Paule Marshall's Praisesong For the Widow

The Sea Islands off the coasts of Georgia and South Carolina function as a vital bridge between African Americans and their African ancestry, retaining a unique African culture that had been forgotten in the mainland communities. The Gullah/Geechee people, the inhabitants of the Sea Islands, are the...

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Main Author: Shamail, Ashma
Format: text
Published: Archīum Ateneo 2024
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Online Access:https://archium.ateneo.edu/kk/vol1/iss37/10
https://archium.ateneo.edu/context/kk/article/1881/viewcontent/KK_2037_2C_202021_2010_20Regular_20Section_20__20Shamail.pdf
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Institution: Ateneo De Manila University
id ph-ateneo-arc.kk-1881
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spelling ph-ateneo-arc.kk-18812024-12-19T03:48:02Z Mapping the Sea Islands Culture in Paule Marshall's Praisesong For the Widow Shamail, Ashma The Sea Islands off the coasts of Georgia and South Carolina function as a vital bridge between African Americans and their African ancestry, retaining a unique African culture that had been forgotten in the mainland communities. The Gullah/Geechee people, the inhabitants of the Sea Islands, are the most distinctive group of African Americans, who maintained a separate creole language and are unique from any other subset of African Americans. Paule Marshall’s vision of the Sea Islands in her 1983 novel Praisesong for the Widow illustrates the mythical landscape as a place for excavating and forging cultural as well as historical connections. The article focuses on the protagonist’s displaced historical memory, lost cultural connections, and self, which are awakened on the Sea Islands. Marshall links the Sea Islands and the African diaspora through the space of the Caribbean, emphasizing on discovering and recovering kinship ties. The protagonist’s understanding and awareness of a diasporic Gullah/Geechee identity comes to light when the Sea Island’s heritage wins over her oppressive American culture. The African diaspora is reunited in this novel through storytelling, dance, music, and rituals of reverence and remembrance, thereby enabling the protagonist to acknowledge and identify her Gullah roots and culture. As retrieval of real and imagined cultural inheritances is crucial to the construction and process of creolized identities, Marshall posits the Sea Islands as central and a site of cultural expression in the novel. Marshall’s depiction of the Sea Island’s role in Praisesong as a unique southern landscape serves as a healing ground for physical and cultural loss. 2024-12-19T06:06:49Z text application/pdf https://archium.ateneo.edu/kk/vol1/iss37/10 info:doi/10.13185/1656-152x.1881 https://archium.ateneo.edu/context/kk/article/1881/viewcontent/KK_2037_2C_202021_2010_20Regular_20Section_20__20Shamail.pdf Kritika Kultura Archīum Ateneo cultural identity Gullah/Geechee communities rituals Sea Islands storytelling
institution Ateneo De Manila University
building Ateneo De Manila University Library
continent Asia
country Philippines
Philippines
content_provider Ateneo De Manila University Library
collection archium.Ateneo Institutional Repository
topic cultural identity
Gullah/Geechee communities
rituals
Sea Islands
storytelling
spellingShingle cultural identity
Gullah/Geechee communities
rituals
Sea Islands
storytelling
Shamail, Ashma
Mapping the Sea Islands Culture in Paule Marshall's Praisesong For the Widow
description The Sea Islands off the coasts of Georgia and South Carolina function as a vital bridge between African Americans and their African ancestry, retaining a unique African culture that had been forgotten in the mainland communities. The Gullah/Geechee people, the inhabitants of the Sea Islands, are the most distinctive group of African Americans, who maintained a separate creole language and are unique from any other subset of African Americans. Paule Marshall’s vision of the Sea Islands in her 1983 novel Praisesong for the Widow illustrates the mythical landscape as a place for excavating and forging cultural as well as historical connections. The article focuses on the protagonist’s displaced historical memory, lost cultural connections, and self, which are awakened on the Sea Islands. Marshall links the Sea Islands and the African diaspora through the space of the Caribbean, emphasizing on discovering and recovering kinship ties. The protagonist’s understanding and awareness of a diasporic Gullah/Geechee identity comes to light when the Sea Island’s heritage wins over her oppressive American culture. The African diaspora is reunited in this novel through storytelling, dance, music, and rituals of reverence and remembrance, thereby enabling the protagonist to acknowledge and identify her Gullah roots and culture. As retrieval of real and imagined cultural inheritances is crucial to the construction and process of creolized identities, Marshall posits the Sea Islands as central and a site of cultural expression in the novel. Marshall’s depiction of the Sea Island’s role in Praisesong as a unique southern landscape serves as a healing ground for physical and cultural loss.
format text
author Shamail, Ashma
author_facet Shamail, Ashma
author_sort Shamail, Ashma
title Mapping the Sea Islands Culture in Paule Marshall's Praisesong For the Widow
title_short Mapping the Sea Islands Culture in Paule Marshall's Praisesong For the Widow
title_full Mapping the Sea Islands Culture in Paule Marshall's Praisesong For the Widow
title_fullStr Mapping the Sea Islands Culture in Paule Marshall's Praisesong For the Widow
title_full_unstemmed Mapping the Sea Islands Culture in Paule Marshall's Praisesong For the Widow
title_sort mapping the sea islands culture in paule marshall's praisesong for the widow
publisher Archīum Ateneo
publishDate 2024
url https://archium.ateneo.edu/kk/vol1/iss37/10
https://archium.ateneo.edu/context/kk/article/1881/viewcontent/KK_2037_2C_202021_2010_20Regular_20Section_20__20Shamail.pdf
_version_ 1819113806163345408