Ethical Traditions in British Dram: A Case Study of Oscar Wilde and George Bernard Shaw

Victorian literature, both its creation and criticism, mainly focused on the significance of morality and religion, and viewed literature as beneficial to the heart of mankind. Oscar Wilde, widely considered as an aesthete, is one such literary figure of the Victorian era who espouses the doctrine o...

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Main Author: Liu, Maosheng
Format: text
Published: Archīum Ateneo 2024
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Online Access:https://archium.ateneo.edu/kk/vol1/iss37/27
https://archium.ateneo.edu/context/kk/article/1898/viewcontent/KK_2037_2C_202021_2027_20Forum_20Kritika_20on_20Ethical_20Literary_20Criticism_2C_20Brain_20Text_20and_20New_20Readings_20of_20World_20Literature_20__20Liu.pdf
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spelling ph-ateneo-arc.kk-18982024-12-19T03:48:02Z Ethical Traditions in British Dram: A Case Study of Oscar Wilde and George Bernard Shaw Liu, Maosheng Victorian literature, both its creation and criticism, mainly focused on the significance of morality and religion, and viewed literature as beneficial to the heart of mankind. Oscar Wilde, widely considered as an aesthete, is one such literary figure of the Victorian era who espouses the doctrine of “art for art’s sake.” His artistic style incorporates rich ethical connotations, and the interplay between aesthetics and ethics presents characteristics of both conflict and integration in his works. On the other hand, the problem plays of Henrik Ibsen, the so-called father of modern drama, exerted a profound influence on George Bernard Shaw, the great British dramatist of the twentieth century. Shaw’s creation of problem plays is directly attributable to Ibsen, and he creatively adapted the Norwegian playwright’s writing techniques for his only treatise of drama theory in 1891, The Quintessence of Ibsenism, which fully expressed his basic understanding of the dramatic arts. Aside from disagreements regarding artistic ideas, both Wilde and Shaw emphasize that the primary task of artistic creation is to reflect social problems, and that the degeneration of human morality is the root of all social ills. They also believe that traditional moral standards may not always meet the requirements of social reality, therefore it is necessary to find a set of ethics to solve social problems. In this way, both Wilde’s and Shaw’s dramas clearly reflect the ethical tradition concerning social issues. 2024-12-19T06:06:59Z text application/pdf https://archium.ateneo.edu/kk/vol1/iss37/27 info:doi/10.13185/1656-152x.1898 https://archium.ateneo.edu/context/kk/article/1898/viewcontent/KK_2037_2C_202021_2027_20Forum_20Kritika_20on_20Ethical_20Literary_20Criticism_2C_20Brain_20Text_20and_20New_20Readings_20of_20World_20Literature_20__20Liu.pdf Kritika Kultura Archīum Ateneo British drama ethical tradition Oscar Wilde George Bernard Shaw
institution Ateneo De Manila University
building Ateneo De Manila University Library
continent Asia
country Philippines
Philippines
content_provider Ateneo De Manila University Library
collection archium.Ateneo Institutional Repository
topic British drama
ethical tradition
Oscar Wilde
George Bernard Shaw
spellingShingle British drama
ethical tradition
Oscar Wilde
George Bernard Shaw
Liu, Maosheng
Ethical Traditions in British Dram: A Case Study of Oscar Wilde and George Bernard Shaw
description Victorian literature, both its creation and criticism, mainly focused on the significance of morality and religion, and viewed literature as beneficial to the heart of mankind. Oscar Wilde, widely considered as an aesthete, is one such literary figure of the Victorian era who espouses the doctrine of “art for art’s sake.” His artistic style incorporates rich ethical connotations, and the interplay between aesthetics and ethics presents characteristics of both conflict and integration in his works. On the other hand, the problem plays of Henrik Ibsen, the so-called father of modern drama, exerted a profound influence on George Bernard Shaw, the great British dramatist of the twentieth century. Shaw’s creation of problem plays is directly attributable to Ibsen, and he creatively adapted the Norwegian playwright’s writing techniques for his only treatise of drama theory in 1891, The Quintessence of Ibsenism, which fully expressed his basic understanding of the dramatic arts. Aside from disagreements regarding artistic ideas, both Wilde and Shaw emphasize that the primary task of artistic creation is to reflect social problems, and that the degeneration of human morality is the root of all social ills. They also believe that traditional moral standards may not always meet the requirements of social reality, therefore it is necessary to find a set of ethics to solve social problems. In this way, both Wilde’s and Shaw’s dramas clearly reflect the ethical tradition concerning social issues.
format text
author Liu, Maosheng
author_facet Liu, Maosheng
author_sort Liu, Maosheng
title Ethical Traditions in British Dram: A Case Study of Oscar Wilde and George Bernard Shaw
title_short Ethical Traditions in British Dram: A Case Study of Oscar Wilde and George Bernard Shaw
title_full Ethical Traditions in British Dram: A Case Study of Oscar Wilde and George Bernard Shaw
title_fullStr Ethical Traditions in British Dram: A Case Study of Oscar Wilde and George Bernard Shaw
title_full_unstemmed Ethical Traditions in British Dram: A Case Study of Oscar Wilde and George Bernard Shaw
title_sort ethical traditions in british dram: a case study of oscar wilde and george bernard shaw
publisher Archīum Ateneo
publishDate 2024
url https://archium.ateneo.edu/kk/vol1/iss37/27
https://archium.ateneo.edu/context/kk/article/1898/viewcontent/KK_2037_2C_202021_2027_20Forum_20Kritika_20on_20Ethical_20Literary_20Criticism_2C_20Brain_20Text_20and_20New_20Readings_20of_20World_20Literature_20__20Liu.pdf
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