The Ecological Terrain of Class War in the Cadre Poetry of Mayamor / Maya Daniel / Roger Felix Salditos

In his cultural criticism, Edel Garcellano protests that literature is a politically partisan act in a “terrain of class war.” Cadre writings from “liberated” or “red” zones, Garcellano writes, demonstrate a clear partisanship with the peasants, workers, and other participants of the liberation stru...

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Main Author: Sy, Jose Monfred C.
Format: text
Published: Archīum Ateneo 2024
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Online Access:https://archium.ateneo.edu/kk/vol1/iss39/29
https://archium.ateneo.edu/context/kk/article/2008/viewcontent/KK_2039_2C_202022_2028_20Forum_20Kritika_20in_20Honor_20of_20Edel_20E._20Garcellano_20__20Sy.pdf
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Institution: Ateneo De Manila University
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spelling ph-ateneo-arc.kk-20082024-12-19T05:24:02Z The Ecological Terrain of Class War in the Cadre Poetry of Mayamor / Maya Daniel / Roger Felix Salditos Sy, Jose Monfred C. In his cultural criticism, Edel Garcellano protests that literature is a politically partisan act in a “terrain of class war.” Cadre writings from “liberated” or “red” zones, Garcellano writes, demonstrate a clear partisanship with the peasants, workers, and other participants of the liberation struggle waged by the National Democratic movement in the Philippines. His commentary on the ideologization of writers invites us to investigate works produced in the context of the protracted people’s war to better understand the so-called “liberated consciousness” of cadre writers. Mobilizing Garcellano’s interpretive model of partisan symmetry between author and text, this paper critiques poems written by martyred red fighter Roger Felix Salditos—also known by his noms-de-guerre/plume Mayamor and Maya Daniel— published recently in the collection 50: Mga Binalaybay ni Roger Felix Salditos (Mayamor/Maya Daniel) with translations by Kerima Lorena Tariman (2020). Specifically, I take interest in the tropification of the natural environment in his writings. It has been observed that the figuration of ecology in National Democratic literature rejects representations of nature that reify the domination of the human species-being over their environment. I argue that Salditos’ poetry dramatizes a cadre’s inhabitation of the ecological terrain of the guerilla zone, shaped by conflicts over land rights and resource ownership. His ecopoetics gives readers insight on how a liberated consciousness involves learning from praxis within and a dialectical understanding of the natural environment. 2024-12-19T06:08:09Z text application/pdf https://archium.ateneo.edu/kk/vol1/iss39/29 info:doi/10.13185/1656-152x.2008 https://archium.ateneo.edu/context/kk/article/2008/viewcontent/KK_2039_2C_202022_2028_20Forum_20Kritika_20in_20Honor_20of_20Edel_20E._20Garcellano_20__20Sy.pdf Kritika Kultura Archīum Ateneo cadre writing ecopoetics Edel Garcellano National Democratic literature partisan poetry Roger Felix Salditos
institution Ateneo De Manila University
building Ateneo De Manila University Library
continent Asia
country Philippines
Philippines
content_provider Ateneo De Manila University Library
collection archium.Ateneo Institutional Repository
topic cadre writing
ecopoetics
Edel Garcellano
National Democratic literature
partisan poetry
Roger Felix Salditos
spellingShingle cadre writing
ecopoetics
Edel Garcellano
National Democratic literature
partisan poetry
Roger Felix Salditos
Sy, Jose Monfred C.
The Ecological Terrain of Class War in the Cadre Poetry of Mayamor / Maya Daniel / Roger Felix Salditos
description In his cultural criticism, Edel Garcellano protests that literature is a politically partisan act in a “terrain of class war.” Cadre writings from “liberated” or “red” zones, Garcellano writes, demonstrate a clear partisanship with the peasants, workers, and other participants of the liberation struggle waged by the National Democratic movement in the Philippines. His commentary on the ideologization of writers invites us to investigate works produced in the context of the protracted people’s war to better understand the so-called “liberated consciousness” of cadre writers. Mobilizing Garcellano’s interpretive model of partisan symmetry between author and text, this paper critiques poems written by martyred red fighter Roger Felix Salditos—also known by his noms-de-guerre/plume Mayamor and Maya Daniel— published recently in the collection 50: Mga Binalaybay ni Roger Felix Salditos (Mayamor/Maya Daniel) with translations by Kerima Lorena Tariman (2020). Specifically, I take interest in the tropification of the natural environment in his writings. It has been observed that the figuration of ecology in National Democratic literature rejects representations of nature that reify the domination of the human species-being over their environment. I argue that Salditos’ poetry dramatizes a cadre’s inhabitation of the ecological terrain of the guerilla zone, shaped by conflicts over land rights and resource ownership. His ecopoetics gives readers insight on how a liberated consciousness involves learning from praxis within and a dialectical understanding of the natural environment.
format text
author Sy, Jose Monfred C.
author_facet Sy, Jose Monfred C.
author_sort Sy, Jose Monfred C.
title The Ecological Terrain of Class War in the Cadre Poetry of Mayamor / Maya Daniel / Roger Felix Salditos
title_short The Ecological Terrain of Class War in the Cadre Poetry of Mayamor / Maya Daniel / Roger Felix Salditos
title_full The Ecological Terrain of Class War in the Cadre Poetry of Mayamor / Maya Daniel / Roger Felix Salditos
title_fullStr The Ecological Terrain of Class War in the Cadre Poetry of Mayamor / Maya Daniel / Roger Felix Salditos
title_full_unstemmed The Ecological Terrain of Class War in the Cadre Poetry of Mayamor / Maya Daniel / Roger Felix Salditos
title_sort ecological terrain of class war in the cadre poetry of mayamor / maya daniel / roger felix salditos
publisher Archīum Ateneo
publishDate 2024
url https://archium.ateneo.edu/kk/vol1/iss39/29
https://archium.ateneo.edu/context/kk/article/2008/viewcontent/KK_2039_2C_202022_2028_20Forum_20Kritika_20in_20Honor_20of_20Edel_20E._20Garcellano_20__20Sy.pdf
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