Ethical Dilemma and Narrative Strategies in David Henry Hwang's M. Butterfly (1988 and 2017)

David Henry Hwang’s M. Butterfly (1988), the first play written by an Asian American playwright to win the Tony Awards, remains his most renowned and controversial play. The play has been criticized for catering to mainstream discourse for reproducing the rather negative “Dragon Lady” stereotype in...

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Main Authors: Zhang, Xin, He, Shumin
Format: text
Published: Archīum Ateneo 2024
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Online Access:https://archium.ateneo.edu/kk/vol1/iss42/4
https://archium.ateneo.edu/context/kk/article/2065/viewcontent/KK_2042_2C_202023_204_20Regular_20section_20__20Zhang_20and_20He.pdf
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spelling ph-ateneo-arc.kk-20652024-12-19T05:42:12Z Ethical Dilemma and Narrative Strategies in David Henry Hwang's M. Butterfly (1988 and 2017) Zhang, Xin He, Shumin David Henry Hwang’s M. Butterfly (1988), the first play written by an Asian American playwright to win the Tony Awards, remains his most renowned and controversial play. The play has been criticized for catering to mainstream discourse for reproducing the rather negative “Dragon Lady” stereotype in the name of subverting the “Madame Butterfly” stereotype. However, with the unreliable narration, the play connotes dual narrative dynamics which creates great aesthetic tension and powerful ironic effect. But such a rhetorical device has, to some extent, also led to the alienation between the play’s representing strategies and the implied author’s intention, which results in heated scholarly debates and misreading. In 2017, the play was revised by Hwang and restaged on Broadway. The revival not only incorporates the Chinese folklore of Butterfly Lovers but also gives more voice to the Asian protagonist who has been silenced in the original version, in order to more explicitly counter the unreliable narrator’s Western centric narrative, which helps establish a more complex character image. The revival further exposes the obstinacy of racist mentality and Orientalist narrative discourse in American mainstream culture, responding to the misreading and criticisms on the original version in ways that advance with the times. Through different narrative strategies in the two versions of M. Butterfly, Hwang tries to guide the audience to get rid of the racist paradigm to better understand the representing strategies and ethics of Asian American literatures. 2024-12-19T06:09:30Z text application/pdf https://archium.ateneo.edu/kk/vol1/iss42/4 info:doi/10.13185/1656-152x.2065 https://archium.ateneo.edu/context/kk/article/2065/viewcontent/KK_2042_2C_202023_204_20Regular_20section_20__20Zhang_20and_20He.pdf Kritika Kultura Archīum Ateneo Butterfly Lovers counter-narration ethical dilemma M. Butterfly unreliable narration
institution Ateneo De Manila University
building Ateneo De Manila University Library
continent Asia
country Philippines
Philippines
content_provider Ateneo De Manila University Library
collection archium.Ateneo Institutional Repository
topic Butterfly Lovers
counter-narration
ethical dilemma
M. Butterfly
unreliable narration
spellingShingle Butterfly Lovers
counter-narration
ethical dilemma
M. Butterfly
unreliable narration
Zhang, Xin
He, Shumin
Ethical Dilemma and Narrative Strategies in David Henry Hwang's M. Butterfly (1988 and 2017)
description David Henry Hwang’s M. Butterfly (1988), the first play written by an Asian American playwright to win the Tony Awards, remains his most renowned and controversial play. The play has been criticized for catering to mainstream discourse for reproducing the rather negative “Dragon Lady” stereotype in the name of subverting the “Madame Butterfly” stereotype. However, with the unreliable narration, the play connotes dual narrative dynamics which creates great aesthetic tension and powerful ironic effect. But such a rhetorical device has, to some extent, also led to the alienation between the play’s representing strategies and the implied author’s intention, which results in heated scholarly debates and misreading. In 2017, the play was revised by Hwang and restaged on Broadway. The revival not only incorporates the Chinese folklore of Butterfly Lovers but also gives more voice to the Asian protagonist who has been silenced in the original version, in order to more explicitly counter the unreliable narrator’s Western centric narrative, which helps establish a more complex character image. The revival further exposes the obstinacy of racist mentality and Orientalist narrative discourse in American mainstream culture, responding to the misreading and criticisms on the original version in ways that advance with the times. Through different narrative strategies in the two versions of M. Butterfly, Hwang tries to guide the audience to get rid of the racist paradigm to better understand the representing strategies and ethics of Asian American literatures.
format text
author Zhang, Xin
He, Shumin
author_facet Zhang, Xin
He, Shumin
author_sort Zhang, Xin
title Ethical Dilemma and Narrative Strategies in David Henry Hwang's M. Butterfly (1988 and 2017)
title_short Ethical Dilemma and Narrative Strategies in David Henry Hwang's M. Butterfly (1988 and 2017)
title_full Ethical Dilemma and Narrative Strategies in David Henry Hwang's M. Butterfly (1988 and 2017)
title_fullStr Ethical Dilemma and Narrative Strategies in David Henry Hwang's M. Butterfly (1988 and 2017)
title_full_unstemmed Ethical Dilemma and Narrative Strategies in David Henry Hwang's M. Butterfly (1988 and 2017)
title_sort ethical dilemma and narrative strategies in david henry hwang's m. butterfly (1988 and 2017)
publisher Archīum Ateneo
publishDate 2024
url https://archium.ateneo.edu/kk/vol1/iss42/4
https://archium.ateneo.edu/context/kk/article/2065/viewcontent/KK_2042_2C_202023_204_20Regular_20section_20__20Zhang_20and_20He.pdf
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