The Matrix of S&M in Korean Cinema: Time, Space, Trauma, Power

Just as Jean Baudrillard predicted that a new era would arrive wherein sexual desire would emerge, the late ’90s in Korea were marked as the fin-de-siècle of sexual explosion in popular culture, in the transition of the culture from pre-modernism to modernism. Sex and nudity became prevalent propert...

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Main Author: Yu, Taeyun
Format: text
Published: Archīum Ateneo 2024
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Online Access:https://archium.ateneo.edu/kk/vol1/iss28/7
https://archium.ateneo.edu/context/kk/article/2112/viewcontent/_5BKKv00n28_2017_5D_203.3_ForumKritika_Yu.pdf
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spelling ph-ateneo-arc.kk-21122024-12-20T08:48:02Z The Matrix of S&M in Korean Cinema: Time, Space, Trauma, Power Yu, Taeyun Just as Jean Baudrillard predicted that a new era would arrive wherein sexual desire would emerge, the late ’90s in Korea were marked as the fin-de-siècle of sexual explosion in popular culture, in the transition of the culture from pre-modernism to modernism. Sex and nudity became prevalent properties in popular culture and film, as a window onto the world, also joined this parade by equipping its products with erotically provocative visuals and transgressive texts. This study aims to shed some light on the social meaning of sadomasochism (S&M) by viewing it as an expression of power relations (dominance/submission & discipline/punishment) within the larger social schema. This would involve the use of the body as the site where geopolitical conflicts are inscribed, in relation to the emergence of an authoritarian system that required masochistic acceptance of the concepts of dedication and self-sacrifice. 2024-12-20T14:24:17Z text application/pdf https://archium.ateneo.edu/kk/vol1/iss28/7 info:doi/10.13185/1656-152x.2112 https://archium.ateneo.edu/context/kk/article/2112/viewcontent/_5BKKv00n28_2017_5D_203.3_ForumKritika_Yu.pdf Kritika Kultura Archīum Ateneo Korean cinema Korean War trauma Gwangju uprising; jouissance; “Sae”-maul movement
institution Ateneo De Manila University
building Ateneo De Manila University Library
continent Asia
country Philippines
Philippines
content_provider Ateneo De Manila University Library
collection archium.Ateneo Institutional Repository
topic Korean cinema
Korean War
trauma
Gwangju uprising; jouissance; “Sae”-maul movement
spellingShingle Korean cinema
Korean War
trauma
Gwangju uprising; jouissance; “Sae”-maul movement
Yu, Taeyun
The Matrix of S&M in Korean Cinema: Time, Space, Trauma, Power
description Just as Jean Baudrillard predicted that a new era would arrive wherein sexual desire would emerge, the late ’90s in Korea were marked as the fin-de-siècle of sexual explosion in popular culture, in the transition of the culture from pre-modernism to modernism. Sex and nudity became prevalent properties in popular culture and film, as a window onto the world, also joined this parade by equipping its products with erotically provocative visuals and transgressive texts. This study aims to shed some light on the social meaning of sadomasochism (S&M) by viewing it as an expression of power relations (dominance/submission & discipline/punishment) within the larger social schema. This would involve the use of the body as the site where geopolitical conflicts are inscribed, in relation to the emergence of an authoritarian system that required masochistic acceptance of the concepts of dedication and self-sacrifice.
format text
author Yu, Taeyun
author_facet Yu, Taeyun
author_sort Yu, Taeyun
title The Matrix of S&M in Korean Cinema: Time, Space, Trauma, Power
title_short The Matrix of S&M in Korean Cinema: Time, Space, Trauma, Power
title_full The Matrix of S&M in Korean Cinema: Time, Space, Trauma, Power
title_fullStr The Matrix of S&M in Korean Cinema: Time, Space, Trauma, Power
title_full_unstemmed The Matrix of S&M in Korean Cinema: Time, Space, Trauma, Power
title_sort matrix of s&m in korean cinema: time, space, trauma, power
publisher Archīum Ateneo
publishDate 2024
url https://archium.ateneo.edu/kk/vol1/iss28/7
https://archium.ateneo.edu/context/kk/article/2112/viewcontent/_5BKKv00n28_2017_5D_203.3_ForumKritika_Yu.pdf
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