Interrogating Indonesian New Order’s Narrative of Gestapu: The Leftist Nobles and the Indonesian Communist Party in Umar Kayam’s Stories

Although the atrocity around the 1965 coup—better known as Gestapu, Gestok or G 30 S PKI in Indonesia—has been continually on the international humanitarian spotlight, its literary representation in Indonesia has been minimal. The strong hold of the New Order regime and their residue in the current...

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Main Author: Sarwoto, Paulus
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Published: Archīum Ateneo 2024
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Online Access:https://archium.ateneo.edu/kk/vol1/iss29/6
https://archium.ateneo.edu/context/kk/article/2135/viewcontent/_5BKKv00n29_2017_5D_202.4_Article_Sarwoto.pdf
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spelling ph-ateneo-arc.kk-21352024-12-20T14:12:02Z Interrogating Indonesian New Order’s Narrative of Gestapu: The Leftist Nobles and the Indonesian Communist Party in Umar Kayam’s Stories Sarwoto, Paulus Although the atrocity around the 1965 coup—better known as Gestapu, Gestok or G 30 S PKI in Indonesia—has been continually on the international humanitarian spotlight, its literary representation in Indonesia has been minimal. The strong hold of the New Order regime and their residue in the current political system must have something to do with this. Among a few vernacular writers coping with the aftermath of the tragedy but is less discussed as such is Umar Kayam. The four texts analysed in this article, “Bawuk,” “Musim Gugur Kembali ke Connecticut,” Para Priyayi and Jalan Menikung: Para Priyayi 2, interrogate the complexity of Gestapu victimization and narrative set by the New Order. The texts reflect the failure of the Javanese nobles (priyayi) in revitalizing their role as political leaders in the face of corrupt political system. Instead of resisting the corrupt regime, they play along in the political game to gain personal benefits. The Javanese nobles siding with the oppressed by joining the Communist Party’s affiliated organizations are ostracized and marginalized. Despite Kayam’s sympathetic representation of some communist figures in his fiction, his general representation of communist ideology is ambivalent. His figuration of communist poets simply as uncritical serfs of ideology, for example, shows his bias towards accepting the New Order cultural narrative. Despite his sympathetic description of those innocently accused of treason following Gestapu 1965, Kayam still portrays communism as an evil and foreign ideology much in the same way that the New Order regime had been narrating it. 2024-12-20T14:24:46Z text application/pdf https://archium.ateneo.edu/kk/vol1/iss29/6 info:doi/10.13185/1656-152x.2135 https://archium.ateneo.edu/context/kk/article/2135/viewcontent/_5BKKv00n29_2017_5D_202.4_Article_Sarwoto.pdf Kritika Kultura Archīum Ateneo Lekra priyayi persecution postcolonial third space subalternization
institution Ateneo De Manila University
building Ateneo De Manila University Library
continent Asia
country Philippines
Philippines
content_provider Ateneo De Manila University Library
collection archium.Ateneo Institutional Repository
topic Lekra
priyayi
persecution
postcolonial
third space
subalternization
spellingShingle Lekra
priyayi
persecution
postcolonial
third space
subalternization
Sarwoto, Paulus
Interrogating Indonesian New Order’s Narrative of Gestapu: The Leftist Nobles and the Indonesian Communist Party in Umar Kayam’s Stories
description Although the atrocity around the 1965 coup—better known as Gestapu, Gestok or G 30 S PKI in Indonesia—has been continually on the international humanitarian spotlight, its literary representation in Indonesia has been minimal. The strong hold of the New Order regime and their residue in the current political system must have something to do with this. Among a few vernacular writers coping with the aftermath of the tragedy but is less discussed as such is Umar Kayam. The four texts analysed in this article, “Bawuk,” “Musim Gugur Kembali ke Connecticut,” Para Priyayi and Jalan Menikung: Para Priyayi 2, interrogate the complexity of Gestapu victimization and narrative set by the New Order. The texts reflect the failure of the Javanese nobles (priyayi) in revitalizing their role as political leaders in the face of corrupt political system. Instead of resisting the corrupt regime, they play along in the political game to gain personal benefits. The Javanese nobles siding with the oppressed by joining the Communist Party’s affiliated organizations are ostracized and marginalized. Despite Kayam’s sympathetic representation of some communist figures in his fiction, his general representation of communist ideology is ambivalent. His figuration of communist poets simply as uncritical serfs of ideology, for example, shows his bias towards accepting the New Order cultural narrative. Despite his sympathetic description of those innocently accused of treason following Gestapu 1965, Kayam still portrays communism as an evil and foreign ideology much in the same way that the New Order regime had been narrating it.
format text
author Sarwoto, Paulus
author_facet Sarwoto, Paulus
author_sort Sarwoto, Paulus
title Interrogating Indonesian New Order’s Narrative of Gestapu: The Leftist Nobles and the Indonesian Communist Party in Umar Kayam’s Stories
title_short Interrogating Indonesian New Order’s Narrative of Gestapu: The Leftist Nobles and the Indonesian Communist Party in Umar Kayam’s Stories
title_full Interrogating Indonesian New Order’s Narrative of Gestapu: The Leftist Nobles and the Indonesian Communist Party in Umar Kayam’s Stories
title_fullStr Interrogating Indonesian New Order’s Narrative of Gestapu: The Leftist Nobles and the Indonesian Communist Party in Umar Kayam’s Stories
title_full_unstemmed Interrogating Indonesian New Order’s Narrative of Gestapu: The Leftist Nobles and the Indonesian Communist Party in Umar Kayam’s Stories
title_sort interrogating indonesian new order’s narrative of gestapu: the leftist nobles and the indonesian communist party in umar kayam’s stories
publisher Archīum Ateneo
publishDate 2024
url https://archium.ateneo.edu/kk/vol1/iss29/6
https://archium.ateneo.edu/context/kk/article/2135/viewcontent/_5BKKv00n29_2017_5D_202.4_Article_Sarwoto.pdf
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