Keeping Time: A Conversation with Darrell Ang

Excerpt: As far as the history of western music is concerned, the rise of the orchestral conductor as a creative force in musical performance is a fairly new phenomenon. Before the nineteenth century, orchestras were guided from the harpsichord and not from that providential podium where many of mus...

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Main Author: Pastrana, Allan
Format: text
Published: Archīum Ateneo 2014
Online Access:https://archium.ateneo.edu/paha/vol4/iss2/23
https://archium.ateneo.edu/context/paha/article/1139/viewcontent/PAHA_204.2_2023_20Feature_20__20Pastrana.pdf
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Institution: Ateneo De Manila University
id ph-ateneo-arc.paha-1139
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spelling ph-ateneo-arc.paha-11392024-11-24T10:18:02Z Keeping Time: A Conversation with Darrell Ang Pastrana, Allan Excerpt: As far as the history of western music is concerned, the rise of the orchestral conductor as a creative force in musical performance is a fairly new phenomenon. Before the nineteenth century, orchestras were guided from the harpsichord and not from that providential podium where many of music’s most illustrious “sacred monsters” took up the reins. On some occasions, the leader of the violin directed the group with his bow, or he used a piece of rolled up music sheet just to keep everyone, and one can imagine the rhythm, in time. 2014-09-30T07:00:00Z text application/pdf https://archium.ateneo.edu/paha/vol4/iss2/23 https://archium.ateneo.edu/context/paha/article/1139/viewcontent/PAHA_204.2_2023_20Feature_20__20Pastrana.pdf Perspectives in the Arts and Humanities Asia Archīum Ateneo
institution Ateneo De Manila University
building Ateneo De Manila University Library
continent Asia
country Philippines
Philippines
content_provider Ateneo De Manila University Library
collection archium.Ateneo Institutional Repository
description Excerpt: As far as the history of western music is concerned, the rise of the orchestral conductor as a creative force in musical performance is a fairly new phenomenon. Before the nineteenth century, orchestras were guided from the harpsichord and not from that providential podium where many of music’s most illustrious “sacred monsters” took up the reins. On some occasions, the leader of the violin directed the group with his bow, or he used a piece of rolled up music sheet just to keep everyone, and one can imagine the rhythm, in time.
format text
author Pastrana, Allan
spellingShingle Pastrana, Allan
Keeping Time: A Conversation with Darrell Ang
author_facet Pastrana, Allan
author_sort Pastrana, Allan
title Keeping Time: A Conversation with Darrell Ang
title_short Keeping Time: A Conversation with Darrell Ang
title_full Keeping Time: A Conversation with Darrell Ang
title_fullStr Keeping Time: A Conversation with Darrell Ang
title_full_unstemmed Keeping Time: A Conversation with Darrell Ang
title_sort keeping time: a conversation with darrell ang
publisher Archīum Ateneo
publishDate 2014
url https://archium.ateneo.edu/paha/vol4/iss2/23
https://archium.ateneo.edu/context/paha/article/1139/viewcontent/PAHA_204.2_2023_20Feature_20__20Pastrana.pdf
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