Socio-linguistic Heterogeneity in the Writings of Selected Malaysian Indian Authors Who Write in English
This paper aims to present the linguistic heterogeneity of the Malaysian Indian community that is often thought to be homogenously “Indian” through a comparison of the socio-linguistic signifiers in four English-language Malaysian novels. The variety of real-life speech patterns and code variations...
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2015
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ph-ateneo-arc.paha-11552024-11-24T17:06:03Z Socio-linguistic Heterogeneity in the Writings of Selected Malaysian Indian Authors Who Write in English Shangeetha, R. K. This paper aims to present the linguistic heterogeneity of the Malaysian Indian community that is often thought to be homogenously “Indian” through a comparison of the socio-linguistic signifiers in four English-language Malaysian novels. The variety of real-life speech patterns and code variations in K. S. Maniam’s The Return, Rani Manicka’s The Rice Mother, Preeta Samarasan’s Evening Is the Whole Day, and Sunil Nair’s When All the Lights Are Stripped Away reveal the linguistic heterogeneity of the Malaysian Indian creative imagination. Nuanced differences in speech patterns and codes from novel to novel counterbalance stereotypical representations of the Malaysian Indian community. 2015-09-30T07:00:00Z text application/pdf https://archium.ateneo.edu/paha/vol5/iss2/2 https://archium.ateneo.edu/context/paha/article/1155/viewcontent/PAHA_205.2_202_20Article_20__20Shangeetha_20and_20Pillai.pdf Perspectives in the Arts and Humanities Asia Archīum Ateneo South Asian diaspora Malaysian literature Malaysian Indian writings speech patterns code variation |
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South Asian diaspora Malaysian literature Malaysian Indian writings speech patterns code variation Shangeetha, R. K. Socio-linguistic Heterogeneity in the Writings of Selected Malaysian Indian Authors Who Write in English |
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This paper aims to present the linguistic heterogeneity of the Malaysian Indian community that is often thought to be homogenously “Indian” through a comparison of the socio-linguistic signifiers in four English-language Malaysian novels. The variety of real-life speech patterns and code variations in K. S. Maniam’s The Return, Rani Manicka’s The Rice Mother, Preeta Samarasan’s Evening Is the Whole Day, and Sunil Nair’s When All the Lights Are Stripped Away reveal the linguistic heterogeneity of the Malaysian Indian creative imagination. Nuanced differences in speech patterns and codes from novel to novel counterbalance stereotypical representations of the Malaysian Indian community. |
format |
text |
author |
Shangeetha, R. K. |
author_facet |
Shangeetha, R. K. |
author_sort |
Shangeetha, R. K. |
title |
Socio-linguistic Heterogeneity in the Writings of Selected Malaysian Indian Authors Who Write in English |
title_short |
Socio-linguistic Heterogeneity in the Writings of Selected Malaysian Indian Authors Who Write in English |
title_full |
Socio-linguistic Heterogeneity in the Writings of Selected Malaysian Indian Authors Who Write in English |
title_fullStr |
Socio-linguistic Heterogeneity in the Writings of Selected Malaysian Indian Authors Who Write in English |
title_full_unstemmed |
Socio-linguistic Heterogeneity in the Writings of Selected Malaysian Indian Authors Who Write in English |
title_sort |
socio-linguistic heterogeneity in the writings of selected malaysian indian authors who write in english |
publisher |
Archīum Ateneo |
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2015 |
url |
https://archium.ateneo.edu/paha/vol5/iss2/2 https://archium.ateneo.edu/context/paha/article/1155/viewcontent/PAHA_205.2_202_20Article_20__20Shangeetha_20and_20Pillai.pdf |
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