Cesar and Cara
Excerpt: One hundred years ago, my grandfather Cesar Legaspi was born. He would one day become National Artist for Visual Arts, one of the Thirteen Moderns, head of the Saturday Group for 16 years, and a pioneer of Philippine Neorealism. He painted tirelessly, producing a body of work that spanned d...
Saved in:
Main Author: | |
---|---|
Format: | text |
Published: |
Archīum Ateneo
2017
|
Online Access: | https://archium.ateneo.edu/paha/vol7/iss2/5 https://archium.ateneo.edu/context/paha/article/1242/viewcontent/PAHA_207.2_205_20Features_20__20Gallardo.pdf |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Institution: | Ateneo De Manila University |
id |
ph-ateneo-arc.paha-1242 |
---|---|
record_format |
eprints |
spelling |
ph-ateneo-arc.paha-12422024-11-28T08:12:03Z Cesar and Cara Gallardo, Waya Excerpt: One hundred years ago, my grandfather Cesar Legaspi was born. He would one day become National Artist for Visual Arts, one of the Thirteen Moderns, head of the Saturday Group for 16 years, and a pioneer of Philippine Neorealism. He painted tirelessly, producing a body of work that spanned decades, from World War II to the late ’90s, using his oils and pallet knife to show the Filipino’s struggle and pain in a rapidly changing world. 2017-10-31T07:00:00Z text application/pdf https://archium.ateneo.edu/paha/vol7/iss2/5 https://archium.ateneo.edu/context/paha/article/1242/viewcontent/PAHA_207.2_205_20Features_20__20Gallardo.pdf Perspectives in the Arts and Humanities Asia Archīum Ateneo |
institution |
Ateneo De Manila University |
building |
Ateneo De Manila University Library |
continent |
Asia |
country |
Philippines Philippines |
content_provider |
Ateneo De Manila University Library |
collection |
archium.Ateneo Institutional Repository |
description |
Excerpt: One hundred years ago, my grandfather Cesar Legaspi was born. He would one day become National Artist for Visual Arts, one of the Thirteen Moderns, head of the Saturday Group for 16 years, and a pioneer of Philippine Neorealism. He painted tirelessly, producing a body of work that spanned decades, from World War II to the late ’90s, using his oils and pallet knife to show the Filipino’s struggle and pain in a rapidly changing world. |
format |
text |
author |
Gallardo, Waya |
spellingShingle |
Gallardo, Waya Cesar and Cara |
author_facet |
Gallardo, Waya |
author_sort |
Gallardo, Waya |
title |
Cesar and Cara |
title_short |
Cesar and Cara |
title_full |
Cesar and Cara |
title_fullStr |
Cesar and Cara |
title_full_unstemmed |
Cesar and Cara |
title_sort |
cesar and cara |
publisher |
Archīum Ateneo |
publishDate |
2017 |
url |
https://archium.ateneo.edu/paha/vol7/iss2/5 https://archium.ateneo.edu/context/paha/article/1242/viewcontent/PAHA_207.2_205_20Features_20__20Gallardo.pdf |
_version_ |
1818102035088670720 |