“Maranao-ness” Reconsidered: The Impact of Islam on Maranao Dance
This study examines the production and development of dances among the Maranao, a Muslim group in the Southern Philippines. It explores the changing dance traditions and expressions of ethnic identity of Maranao dancers in the face of Islamization. It also draws attention to the role of local elites...
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Archīum Ateneo
2018
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ph-ateneo-arc.paha-12772024-11-29T07:18:03Z “Maranao-ness” Reconsidered: The Impact of Islam on Maranao Dance Namiki, Kanami This study examines the production and development of dances among the Maranao, a Muslim group in the Southern Philippines. It explores the changing dance traditions and expressions of ethnic identity of Maranao dancers in the face of Islamization. It also draws attention to the role of local elites as mediators of the cultural and artistic practices and meanings between the national-center and local communities. Finally, it demonstrates how Maranao dances are sites of constant negotiation, accommodation, and resistance as local and national cultural authorities and artists struggle to define and gain control of the definition of what it means to be authentic. 2018-10-31T07:00:00Z text application/pdf https://archium.ateneo.edu/paha/vol8/iss2/1 https://archium.ateneo.edu/context/paha/article/1277/viewcontent/PAHA_208.2_201_20Article_20__20Namiki.pdf Perspectives in the Arts and Humanities Asia Archīum Ateneo Dance; Identity; Authenticity; Philippine Folkdance; Maranao dance; Maranao identity; Islamization; Indigenous Arts |
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Ateneo De Manila University Library |
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Philippines Philippines |
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Dance; Identity; Authenticity; Philippine Folkdance; Maranao dance; Maranao identity; Islamization; Indigenous Arts |
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Dance; Identity; Authenticity; Philippine Folkdance; Maranao dance; Maranao identity; Islamization; Indigenous Arts Namiki, Kanami “Maranao-ness” Reconsidered: The Impact of Islam on Maranao Dance |
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This study examines the production and development of dances among the Maranao, a Muslim group in the Southern Philippines. It explores the changing dance traditions and expressions of ethnic identity of Maranao dancers in the face of Islamization. It also draws attention to the role of local elites as mediators of the cultural and artistic practices and meanings between the national-center and local communities. Finally, it demonstrates how Maranao dances are sites of constant negotiation, accommodation, and resistance as local and national cultural authorities and artists struggle to define and gain control of the definition of what it means to be authentic. |
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text |
author |
Namiki, Kanami |
author_facet |
Namiki, Kanami |
author_sort |
Namiki, Kanami |
title |
“Maranao-ness” Reconsidered: The Impact of Islam on Maranao Dance |
title_short |
“Maranao-ness” Reconsidered: The Impact of Islam on Maranao Dance |
title_full |
“Maranao-ness” Reconsidered: The Impact of Islam on Maranao Dance |
title_fullStr |
“Maranao-ness” Reconsidered: The Impact of Islam on Maranao Dance |
title_full_unstemmed |
“Maranao-ness” Reconsidered: The Impact of Islam on Maranao Dance |
title_sort |
“maranao-ness” reconsidered: the impact of islam on maranao dance |
publisher |
Archīum Ateneo |
publishDate |
2018 |
url |
https://archium.ateneo.edu/paha/vol8/iss2/1 https://archium.ateneo.edu/context/paha/article/1277/viewcontent/PAHA_208.2_201_20Article_20__20Namiki.pdf |
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1818102045248323584 |