Class positionality of queer audiences : how Filipino queer men decode their representations in a queer Filipino TV drama series

Several studies about queer media have questioned stereotypical roles and portrayals of queer people. But how queer audiences respond to media content that attempts to queer portrayals of people is rarely investigated. Hence, the study explores an attempt to queer Philippine mainstream television by...

Full description

Saved in:
Bibliographic Details
Main Author: BRAGADO, MAY SHERYL
Format: text
Published: Archīum Ateneo 2017
Subjects:
Online Access:https://archium.ateneo.edu/theses-dissertations/216
http://rizalls.lib.admu.edu.ph/#section=resource&resourceid=1505437657&currentIndex=0&view=fullDetailsDetailsTab
Tags: Add Tag
No Tags, Be the first to tag this record!
Institution: Ateneo De Manila University
id ph-ateneo-arc.theses-dissertations-1215
record_format eprints
spelling ph-ateneo-arc.theses-dissertations-12152021-03-21T13:36:02Z Class positionality of queer audiences : how Filipino queer men decode their representations in a queer Filipino TV drama series BRAGADO, MAY SHERYL Several studies about queer media have questioned stereotypical roles and portrayals of queer people. But how queer audiences respond to media content that attempts to queer portrayals of people is rarely investigated. Hence, the study explores an attempt to queer Philippine mainstream television by examining how queer Filipino men are represented in My Husband's Lover, the first prime time drama series to feature LGBTQ people as lead characters. The researcher used indepth interviews with purposively selected queer viewers and the shows producer and writers to gather data, which are analyzed using thematic analysis based on protocols by Harden and Thomas (2005). The researcher finds that viewers interpret the texts or images created by queer producers based on their class positionalities.Moreover, as they interpret My Husband's Lover, they draw upon personal experiences that resonate with LGBTQ issues that the television series tackles. In this attempt to queer mainstream Filipino television, producers are still constrained by the parameters set by a TV ratings system that is sensitive to heteronormative audiences and the conservative Catholic church and media regulatory board (Movie Televisonand Ratings Classification Board). 2017-01-01T08:00:00Z text https://archium.ateneo.edu/theses-dissertations/216 http://rizalls.lib.admu.edu.ph/#section=resource&resourceid=1505437657&currentIndex=0&view=fullDetailsDetailsTab Theses and Dissertations (All) Archīum Ateneo Homosexuality on television Sexual minorities on television Sexual minorities in mass media Queer theory Television programs -- Social aspects -- Philippines Sex role in mass media.
institution Ateneo De Manila University
building Ateneo De Manila University Library
continent Asia
country Philippines
Philippines
content_provider Ateneo De Manila University Library
collection archium.Ateneo Institutional Repository
topic Homosexuality on television
Sexual minorities on television
Sexual minorities in mass media
Queer theory
Television programs -- Social aspects -- Philippines
Sex role in mass media.
spellingShingle Homosexuality on television
Sexual minorities on television
Sexual minorities in mass media
Queer theory
Television programs -- Social aspects -- Philippines
Sex role in mass media.
BRAGADO, MAY SHERYL
Class positionality of queer audiences : how Filipino queer men decode their representations in a queer Filipino TV drama series
description Several studies about queer media have questioned stereotypical roles and portrayals of queer people. But how queer audiences respond to media content that attempts to queer portrayals of people is rarely investigated. Hence, the study explores an attempt to queer Philippine mainstream television by examining how queer Filipino men are represented in My Husband's Lover, the first prime time drama series to feature LGBTQ people as lead characters. The researcher used indepth interviews with purposively selected queer viewers and the shows producer and writers to gather data, which are analyzed using thematic analysis based on protocols by Harden and Thomas (2005). The researcher finds that viewers interpret the texts or images created by queer producers based on their class positionalities.Moreover, as they interpret My Husband's Lover, they draw upon personal experiences that resonate with LGBTQ issues that the television series tackles. In this attempt to queer mainstream Filipino television, producers are still constrained by the parameters set by a TV ratings system that is sensitive to heteronormative audiences and the conservative Catholic church and media regulatory board (Movie Televisonand Ratings Classification Board).
format text
author BRAGADO, MAY SHERYL
author_facet BRAGADO, MAY SHERYL
author_sort BRAGADO, MAY SHERYL
title Class positionality of queer audiences : how Filipino queer men decode their representations in a queer Filipino TV drama series
title_short Class positionality of queer audiences : how Filipino queer men decode their representations in a queer Filipino TV drama series
title_full Class positionality of queer audiences : how Filipino queer men decode their representations in a queer Filipino TV drama series
title_fullStr Class positionality of queer audiences : how Filipino queer men decode their representations in a queer Filipino TV drama series
title_full_unstemmed Class positionality of queer audiences : how Filipino queer men decode their representations in a queer Filipino TV drama series
title_sort class positionality of queer audiences : how filipino queer men decode their representations in a queer filipino tv drama series
publisher Archīum Ateneo
publishDate 2017
url https://archium.ateneo.edu/theses-dissertations/216
http://rizalls.lib.admu.edu.ph/#section=resource&resourceid=1505437657&currentIndex=0&view=fullDetailsDetailsTab
_version_ 1695734697486712832