The Return of the Native: Narratives of Ethnicity in Comtemporary Indigenous Novels

This paper interrogates the representation of ethnicity in two contemporary novels written by indigenous authors. Using cultural frameworks, specifically Stuart Hall and Linda Hutcheon, the study centers on how these novels appropriate the historical fiction genre in their attempt to portray the pas...

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Main Author: Ranalan, Rhodora
Format: text
Published: Archīum Ateneo 2020
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Online Access:https://archium.ateneo.edu/theses-dissertations/503
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Institution: Ateneo De Manila University
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spelling ph-ateneo-arc.theses-dissertations-16292021-10-06T05:00:04Z The Return of the Native: Narratives of Ethnicity in Comtemporary Indigenous Novels Ranalan, Rhodora This paper interrogates the representation of ethnicity in two contemporary novels written by indigenous authors. Using cultural frameworks, specifically Stuart Hall and Linda Hutcheon, the study centers on how these novels appropriate the historical fiction genre in their attempt to portray the past of indigenous peoples. The paper also interrogates the portrayal of ethnic identity and examines how the narratives position themselves in their attempt to “return” to the past. The analysis reveals that the novels employ historiographic metafiction strategies that allow the novels to surface the voices of indigenous communities and forward alternative versions of history. The ethnicity forwarded by the novels is an Indigenous ethnicity which pays homage not just to common culture, characteristics and beliefs but more importantly, to the long heritage of Indigenous Peoples and their ties to their ancestral lands. It is an identity that is rooted in the past but is also constantly transforming itself in relation to external forces. For the diasporic indigene, the return to this ethnic identity is undertaken in three stages: the call to return, the remembering of the past, and the location of an ethnic identity. The articulation of this identity reflects both an essentialist and a constructivist position with the return to one’s ethnic past not a physical return but a metaphorical one where the returnee is clothed in diasporic epiphany. The novels’ authors are instances of this articulation in the representation of their respective indigenous groups as they write against the hegemonies that dominate the fields of culture and politics in the country. 2020-01-01T08:00:00Z text https://archium.ateneo.edu/theses-dissertations/503 Theses and Dissertations (All) Archīum Ateneo Indigenous, historiographic metafiction, ethnicity, return
institution Ateneo De Manila University
building Ateneo De Manila University Library
continent Asia
country Philippines
Philippines
content_provider Ateneo De Manila University Library
collection archium.Ateneo Institutional Repository
topic Indigenous, historiographic metafiction, ethnicity, return
spellingShingle Indigenous, historiographic metafiction, ethnicity, return
Ranalan, Rhodora
The Return of the Native: Narratives of Ethnicity in Comtemporary Indigenous Novels
description This paper interrogates the representation of ethnicity in two contemporary novels written by indigenous authors. Using cultural frameworks, specifically Stuart Hall and Linda Hutcheon, the study centers on how these novels appropriate the historical fiction genre in their attempt to portray the past of indigenous peoples. The paper also interrogates the portrayal of ethnic identity and examines how the narratives position themselves in their attempt to “return” to the past. The analysis reveals that the novels employ historiographic metafiction strategies that allow the novels to surface the voices of indigenous communities and forward alternative versions of history. The ethnicity forwarded by the novels is an Indigenous ethnicity which pays homage not just to common culture, characteristics and beliefs but more importantly, to the long heritage of Indigenous Peoples and their ties to their ancestral lands. It is an identity that is rooted in the past but is also constantly transforming itself in relation to external forces. For the diasporic indigene, the return to this ethnic identity is undertaken in three stages: the call to return, the remembering of the past, and the location of an ethnic identity. The articulation of this identity reflects both an essentialist and a constructivist position with the return to one’s ethnic past not a physical return but a metaphorical one where the returnee is clothed in diasporic epiphany. The novels’ authors are instances of this articulation in the representation of their respective indigenous groups as they write against the hegemonies that dominate the fields of culture and politics in the country.
format text
author Ranalan, Rhodora
author_facet Ranalan, Rhodora
author_sort Ranalan, Rhodora
title The Return of the Native: Narratives of Ethnicity in Comtemporary Indigenous Novels
title_short The Return of the Native: Narratives of Ethnicity in Comtemporary Indigenous Novels
title_full The Return of the Native: Narratives of Ethnicity in Comtemporary Indigenous Novels
title_fullStr The Return of the Native: Narratives of Ethnicity in Comtemporary Indigenous Novels
title_full_unstemmed The Return of the Native: Narratives of Ethnicity in Comtemporary Indigenous Novels
title_sort return of the native: narratives of ethnicity in comtemporary indigenous novels
publisher Archīum Ateneo
publishDate 2020
url https://archium.ateneo.edu/theses-dissertations/503
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