Roberto Bolaño’s 2666 : serial murder and narrative necrosis
This article explores the representation of serial murder in Roberto Bolaño’s 2666, focusing in particular on Part Four, “The Part About the Crimes,” which provides a thinly fictionalized account of the notorious femicides that have afflicted the Mexican city of Ciudad Juárez over the last two and a...
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| Format: | Article |
| Language: | English |
| Published: |
2019
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| Online Access: | https://hdl.handle.net/10356/102691 http://hdl.handle.net/10220/47758 |
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| Institution: | Nanyang Technological University |
| Language: | English |
| Summary: | This article explores the representation of serial murder in Roberto Bolaño’s 2666, focusing in particular on Part Four, “The Part About the Crimes,” which provides a thinly fictionalized account of the notorious femicides that have afflicted the Mexican city of Ciudad Juárez over the last two and a half decades. What impact does this extensive litany of dead bodies have on the novel’s plot trajectory, its production of meaning, and its proairetic qualities? What, precisely, does the recitation of such atrocities do to the fictional discourse it generates? In the following article, I argue that the unrelenting seriality of this section induces what we might call a “narrative necrosis,” whereby the tissue of the narrative itself undergoes a process of decomposition. More specifically, I would like to suggest that such repetition serves to undermine the narrativity of the novel and, in so doing, emphasizes the collective, systemic, and interminable nature of these appalling crimes. |
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