Special issue on sound art and interactivity in Singapore : SI13 and More

• Main Author: Lindborg, PerMagnus
• Other Authors: School of Art, Design and Media
• Format: Article
• Language: English
• Published: 2014
• Subjects: DRNTU::Visual arts and music; DRNTU::Visual arts and music::Design; DRNTU::Science::Physics::Acoustics; DRNTU::Humanities::Philosophy; DRNTU::Social sciences::General::History; DRNTU::Humanities::General::History
• Online Access: https://hdl.handle.net/10356/106173; http://hdl.handle.net/10220/24150; http://cec.sonus.ca/econtact/16_2/
• Institution: Nanyang Technological University

The SI13 NTU/ADM Symposium on Sound and Interactivity in Singapore provided a meeting point for local researchers, artists, scholars and students working creatively with sound and interactivity, as well as the foundation for an issue exploring sound and interactivity in the Southeast Asian country. The School of Art Design Media of Singapore’s Nanyang Technological University hosted the Symposium on Sound and Interactivity from 14–16 November 2013. A total of 15 artworks and 14 papers were selected by a review committee for presentation by 24 active participants during the three-day symposium. While all but four of the participants are residents of the island, they represent seventeen different countries, thus reflecting the cosmopolitan nature of Singapore in general and of sound artists and researchers in particular. (1) Thanks to funding from Nanyang’s CLASS conference scheme, Roger T. Dean (MARCS Institute, University of New South Wales, Australia) and Diemo Schwarz (IRCAM, France) could be invited as Keynote Speakers; they also performed in the concert that opened the symposium, and contributed to the exhibition. It is a pleasure to collaborate with eContact! in presenting a broad collection of articles emanating from this event, and to use these as a basis for an overview of sound art and related activities in Singapore. Eleven texts from the SI13 Proceedings have been edited for this issue. Joining them are two texts originally written for the catalogue of the “Sound: Latitudes and Attitudes” exhibition held at Singapore’s Institute of Contemporary Arts (7 February – 16 March 2014). Finally, in the guise of a “community report” on sound art activities in Singapore, I have contributed a “constructed multilogue” created from interviews with three sound art colleagues.