The faces and phases of Mr. Singapore 1974 : a producer's perspective
Mr. Singapore 1974 is a film within a film; a grandson attempts to make a film about his grandfather, but their insecurities lead to conflicting visions of his portrayal, resulting in disappointment but eventually, an understanding. This report shall thus serve as a documentation of the faces an...
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2020
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sg-ntu-dr.10356-1392892020-05-18T09:08:47Z The faces and phases of Mr. Singapore 1974 : a producer's perspective Syaza Arinah Muhammad Sham Nicole Midori Woodford School of Art, Design and Media Nicholas Morris nicolemidori@ntu.edu.sg Visual arts and music::Film Mr. Singapore 1974 is a film within a film; a grandson attempts to make a film about his grandfather, but their insecurities lead to conflicting visions of his portrayal, resulting in disappointment but eventually, an understanding. This report shall thus serve as a documentation of the faces and phases of Mr. Singapore 1974 from a producer’s standpoint – through its various tittle changes and how something from ink and paper became pixels on the screen as well as the many people involved, who without them, this film would not have come to be. Bachelor of Fine Arts in Digital Filmmaking 2020-05-18T09:08:47Z 2020-05-18T09:08:47Z 2020 Final Year Project (FYP) https://hdl.handle.net/10356/139289 en application/pdf Nanyang Technological University |
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Visual arts and music::Film Syaza Arinah Muhammad Sham The faces and phases of Mr. Singapore 1974 : a producer's perspective |
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Mr. Singapore 1974 is a film within a film; a grandson attempts to make a film about his grandfather, but their insecurities lead to conflicting visions of his portrayal, resulting in disappointment but eventually, an understanding.
This report shall thus serve as a documentation of the faces and phases of Mr. Singapore 1974 from a producer’s standpoint – through its various tittle changes and how something from ink and paper became pixels on the screen as well as the many people involved, who without them, this film would not have come to be. |
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Nicole Midori Woodford |
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Nicole Midori Woodford Syaza Arinah Muhammad Sham |
format |
Final Year Project |
author |
Syaza Arinah Muhammad Sham |
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Syaza Arinah Muhammad Sham |
title |
The faces and phases of Mr. Singapore 1974 : a producer's perspective |
title_short |
The faces and phases of Mr. Singapore 1974 : a producer's perspective |
title_full |
The faces and phases of Mr. Singapore 1974 : a producer's perspective |
title_fullStr |
The faces and phases of Mr. Singapore 1974 : a producer's perspective |
title_full_unstemmed |
The faces and phases of Mr. Singapore 1974 : a producer's perspective |
title_sort |
faces and phases of mr. singapore 1974 : a producer's perspective |
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Nanyang Technological University |
publishDate |
2020 |
url |
https://hdl.handle.net/10356/139289 |
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1681056801316929536 |