Historicity and the contemporary theatre of Kuo Pao Kun and Krishen Jit
What is the place of contemporary art forms from the 1980s within the present global dispensation in which the attempt to obliterate temporality transpired, as witnessed in the Hegelian revivalism of Francis Fukuyama’s The End of History and the Last Man (1992)? This essay suggests that the contempo...
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| Format: | Article |
| Language: | English |
| Published: |
2020
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| Online Access: | https://hdl.handle.net/10356/141995 |
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| Institution: | Nanyang Technological University |
| Language: | English |