The Asia foundation's motion-picture project and the cultural cold war in Asia
Drawing on archival materials from the Asia Foundation records at the Hoover Institution Archives and the Robert Blum Papers at Yale University Library, this article focuses on the origins and development of the Federation of Motion Picture Producers in Asia (FPA) by unveiling the existence of the A...
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| Format: | Article |
| Language: | English |
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2020
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| Online Access: | https://hdl.handle.net/10356/143158 |
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| Institution: | Nanyang Technological University |
| Language: | English |
| Summary: | Drawing on archival materials from the Asia Foundation records at the Hoover Institution Archives and the Robert Blum Papers at Yale University Library, this article focuses on the origins and development of the Federation of Motion Picture Producers in Asia (FPA) by unveiling the existence of the Asia Foundation (TAF) and its forgotten motion-picture projects in Asia. Under the leadership of its first president, Robert Blum (1953-1962), the Asia Foundation, a private nonprofit organization, was actively involved in the motion-picture industries in Cold War Asia. The Asia Foundation covertly supported anticommunist motion-picture industry personnel, ranging from producers, directors, and technicians to critics and writers in Japan, Hong Kong, Burma, and South Korea, as well as American and British motion-picture producers in Malaysia and Thailand through clandestine activities. This study aims to investigate how and to what extent TAF and its field agents furtively acted to construct an anticommunist motion-picture producers' alliance in Asia, responded to local film executives' various needs, and negotiated with the constantly changing political, social, and cultural environments in the region during the project's active periods. |
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