Itinerant cinema and the moving image of modernism’s borders
The film historian Jacques Rittaud-Hutinet argues that early cinema’s itinerant projectionists, without their quite knowing it at the time, were responsible for “a new sensibility […] a new art and, above all, a new way of seeing.”[1] More than the medium’s much-heralded inventors, these men were, f...
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| Format: | Article |
| Language: | English |
| Published: |
2020
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| Online Access: | https://affirmationsmodern.com/articles/5/ https://hdl.handle.net/10356/143759 |
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| Institution: | Nanyang Technological University |
| Language: | English |