Who matters most in 1930-1934? : the politics of Hollywood women during the pre-production code era.
I argue it is the Studio actors who matter most when we consider the lack of representation in the other production departments as well as their ability to work intelligently around the Censorship Code.
Saved in:
Main Author: | Siti Maisurah Rosli. |
---|---|
Other Authors: | Bergen-Aurand, Brian Keith |
Format: | Final Year Project |
Language: | English |
Published: |
2008
|
Subjects: | |
Online Access: | http://hdl.handle.net/10356/14497 |
Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Institution: | Nanyang Technological University |
Language: | English |
Similar Items
-
Who makes the financial decisions in Singapore households?
by: Ang, Yee Wee, et al.
Published: (2008) -
A comparative study : how class matters in shaping parent-child relationship in Singapore
by: Lee, Sin Yee
Published: (2015) -
Singapore's 'Cinema-Age' of the 1930s: Hollywood and the shaping of Singapore modernity
by: Chua, A.L.
Published: (2014) -
HAMBATAN PEMENUHAN KEBUTUHAN ALAT KONTRASEPSI PADA MASYARAKAT PINGGIRAN KOTA KECAMATAN LOWOKWARU KOTAMADYA MALANG
by: Zahrofa Hermiwahyoeni, 099712743
Published: (1999) -
Going against global marriage trends: the declining age at first marriage in Indonesia
by: Dommaraju, Premchand, et al.
Published: (2023)