Virtual cinematic heritage for the lost Singaporean film Pontianak (1957)
In 1957, Cathay-Keris Studio in Singapore released “Pontianak”, the first of a hugely popular series of horror films featuring the female vampiric ghost based on Malay folk mythology. The visual transformation of the lead actress Maria Mernado into the Pontianak creature amazed the audience in ci...
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sg-ntu-dr.10356-1455302021-02-03T01:08:57Z Virtual cinematic heritage for the lost Singaporean film Pontianak (1957) Seide, Benjamin Slater, Benjamin School of Art, Design and Media International Conference on Human-Computer Interaction (HCII 2020) Visual arts and music::Film::History Virtual Heritage Pontianak In 1957, Cathay-Keris Studio in Singapore released “Pontianak”, the first of a hugely popular series of horror films featuring the female vampiric ghost based on Malay folk mythology. The visual transformation of the lead actress Maria Mernado into the Pontianak creature amazed the audience in cinemas (Mustafar, 2012) [1]. The Pontianak trilogy by Cathay-Keris was ground-breaking for the genre at that time and registered several firsts in Singapore: Pontianak was the first Malay film to be dubbed into Mandarin, while Sumpah Pontianak is the first local CinemaScope (widescreen) film. The 1957 film is also considered the first depiction of the Pontianak in a film [2]. Despite their relatively wide distribution in 1957 both films are believed to be lost, with no prints or copies surviving (Barnard, 2011) [3]. Film Heritage in the conventional way of ‘restoration’ being impossible, this project investigates the novel approach of creating a Virtual Cinematic Heritage application. In this paper, we outline our current work in progress from historical film research to recreating a scene from the lost film as a Virtual Reality experience. Ministry of Education (MOE) Nanyang Technological University This research has been made possible through the kind support of an MOE grant in Singapore and ADM, School of Art, Design andMedia, NTU Singapore.We also express our gratitude to Toh Hung Ping, the Asian Film Archive, Dr. Rohana Said, Allan Koay,Wong Han Ming and Tay Ying Hui. We would also like to thank Justin Cho, Syaza Arinah Bte Muhammad Sham, Gerald Wee, Amber Chan, Clemens Tan, Jessabel Teng and Zhu Chuan for their contributions, Naga Thummanapalli and Ramalingam Sivakumar for their technical support and Joshua Tan and Sishuo Yang of CraveFX (Singapore) for their kind support. 2020-12-28T01:53:17Z 2020-12-28T01:53:17Z 2020 Conference Paper Seide, B., & Slater, B. (2020). Virtual cinematic heritage for the lost Singaporean film Pontianak (1957). Culture and Computing (HCII 2020) : Lecture Notes in Computer Science, 12215, 396-414. doi:10.1007/978-3-030-50267-6_30 978-3-030-50266-9 978-3-030-50267-6 https://hdl.handle.net/10356/145530 10.1007/978-3-030-50267-6_30 12215 396 414 en © 2020 Springer Nature Switzerland AG. All rights reserved. |
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Visual arts and music::Film::History Virtual Heritage Pontianak Seide, Benjamin Slater, Benjamin Virtual cinematic heritage for the lost Singaporean film Pontianak (1957) |
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In 1957, Cathay-Keris Studio in Singapore released “Pontianak”, the
first of a hugely popular series of horror films featuring the female vampiric ghost
based on Malay folk mythology. The visual transformation of the lead actress
Maria Mernado into the Pontianak creature amazed the audience in cinemas
(Mustafar, 2012) [1]. The Pontianak trilogy by Cathay-Keris was ground-breaking
for the genre at that time and registered several firsts in Singapore: Pontianak was
the first Malay film to be dubbed into Mandarin, while Sumpah Pontianak is the
first local CinemaScope (widescreen) film. The 1957 film is also considered the
first depiction of the Pontianak in a film [2]. Despite their relatively wide distribution
in 1957 both films are believed to be lost, with no prints or copies surviving
(Barnard, 2011) [3]. Film Heritage in the conventional way of ‘restoration’ being
impossible, this project investigates the novel approach of creating a Virtual Cinematic
Heritage application. In this paper, we outline our current work in progress
from historical film research to recreating a scene from the lost film as a Virtual
Reality experience. |
author2 |
School of Art, Design and Media |
author_facet |
School of Art, Design and Media Seide, Benjamin Slater, Benjamin |
format |
Conference or Workshop Item |
author |
Seide, Benjamin Slater, Benjamin |
author_sort |
Seide, Benjamin |
title |
Virtual cinematic heritage for the lost Singaporean film Pontianak (1957) |
title_short |
Virtual cinematic heritage for the lost Singaporean film Pontianak (1957) |
title_full |
Virtual cinematic heritage for the lost Singaporean film Pontianak (1957) |
title_fullStr |
Virtual cinematic heritage for the lost Singaporean film Pontianak (1957) |
title_full_unstemmed |
Virtual cinematic heritage for the lost Singaporean film Pontianak (1957) |
title_sort |
virtual cinematic heritage for the lost singaporean film pontianak (1957) |
publishDate |
2020 |
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https://hdl.handle.net/10356/145530 |
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1692012910315831296 |