The imagination of eco-disaster : post-disaster rebuilding in Asian cinema

Commercial films today often reduce representations of natural catastrophes to commodified spectacles that de-contextualize the subject matter. To contemporary film viewers, the ‘psychic numbing’ effect is apparent, and it does not apply merely to our perception of numbers, statistics, the big da...

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Main Author: Chu, Kiu-Wai
Other Authors: School of Humanities
Format: Article
Language:English
Published: 2021
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Online Access:https://hdl.handle.net/10356/145671
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Institution: Nanyang Technological University
Language: English
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spelling sg-ntu-dr.10356-1456712023-03-11T20:07:03Z The imagination of eco-disaster : post-disaster rebuilding in Asian cinema Chu, Kiu-Wai School of Humanities Humanities::Language Natural Disaster Ecocinema Commercial films today often reduce representations of natural catastrophes to commodified spectacles that de-contextualize the subject matter. To contemporary film viewers, the ‘psychic numbing’ effect is apparent, and it does not apply merely to our perception of numbers, statistics, the big data. It can also be seen when we are bombarded with similar kinds of images over and over again; in this case, the large-scale tsunami, the hurricanes, the earthquake and all the exaggerated destruction scenes in recent disaster movies have become clichés no matter how realistic and intense the shots are made. By focusing on a range of eco-disaster films, this article highlights the importance of cultural sensitivity in the study of eco-disaster films, by exploring several questions: how are eco-disasters culturally shaped and defined, via cinematic means? How are human responses to disasters, as reflected in cinematic representations, shaped by specific sociopolitical, cultural or economic conditions? How does cinema as a media form represent ecological concepts that are shared globally or universally, while at the same time reflecting specific cultural characteristics? Juxtaposing examples from China, Thailand and the Phillippines, particularly with three films: Wonderful Town (Thailand, 2007), Aftershock (China, 2010) and Taklub (Phillippines, 2015), this article demonstrates how Asian eco-disaster films in the Anthropocene epoch reflect specific cultural imaginations of nation and identity rebuilding, which in turn provide a ground to reposition, redefine and reinvent the changing cultural identities in contemporary Asia. Eventually, it argues that eco-disaster narratives in Asia reflect the identity crisis of Asian nations in a global capitalist world, just as much as they are about ecological crises. Accepted version 2021-01-04T06:29:16Z 2021-01-04T06:29:16Z 2019 Journal Article Chu, K.-W. (2020). The imagination of eco-disaster : post-disaster rebuilding in Asian cinema. Asian Cinema, 30(2), 255-272. doi:10.1386/ac_00007_1 1059-440X https://hdl.handle.net/10356/145671 10.1386/ac_00007_1 2 30 255 272 en Asian Cinema © 2019 Intellect Ltd Article. English language. All rights reserved. This paper was published in Asian Cinema and is made available with permission of Intellect Ltd Article. English language. application/pdf
institution Nanyang Technological University
building NTU Library
continent Asia
country Singapore
Singapore
content_provider NTU Library
collection DR-NTU
language English
topic Humanities::Language
Natural Disaster
Ecocinema
spellingShingle Humanities::Language
Natural Disaster
Ecocinema
Chu, Kiu-Wai
The imagination of eco-disaster : post-disaster rebuilding in Asian cinema
description Commercial films today often reduce representations of natural catastrophes to commodified spectacles that de-contextualize the subject matter. To contemporary film viewers, the ‘psychic numbing’ effect is apparent, and it does not apply merely to our perception of numbers, statistics, the big data. It can also be seen when we are bombarded with similar kinds of images over and over again; in this case, the large-scale tsunami, the hurricanes, the earthquake and all the exaggerated destruction scenes in recent disaster movies have become clichés no matter how realistic and intense the shots are made. By focusing on a range of eco-disaster films, this article highlights the importance of cultural sensitivity in the study of eco-disaster films, by exploring several questions: how are eco-disasters culturally shaped and defined, via cinematic means? How are human responses to disasters, as reflected in cinematic representations, shaped by specific sociopolitical, cultural or economic conditions? How does cinema as a media form represent ecological concepts that are shared globally or universally, while at the same time reflecting specific cultural characteristics? Juxtaposing examples from China, Thailand and the Phillippines, particularly with three films: Wonderful Town (Thailand, 2007), Aftershock (China, 2010) and Taklub (Phillippines, 2015), this article demonstrates how Asian eco-disaster films in the Anthropocene epoch reflect specific cultural imaginations of nation and identity rebuilding, which in turn provide a ground to reposition, redefine and reinvent the changing cultural identities in contemporary Asia. Eventually, it argues that eco-disaster narratives in Asia reflect the identity crisis of Asian nations in a global capitalist world, just as much as they are about ecological crises.
author2 School of Humanities
author_facet School of Humanities
Chu, Kiu-Wai
format Article
author Chu, Kiu-Wai
author_sort Chu, Kiu-Wai
title The imagination of eco-disaster : post-disaster rebuilding in Asian cinema
title_short The imagination of eco-disaster : post-disaster rebuilding in Asian cinema
title_full The imagination of eco-disaster : post-disaster rebuilding in Asian cinema
title_fullStr The imagination of eco-disaster : post-disaster rebuilding in Asian cinema
title_full_unstemmed The imagination of eco-disaster : post-disaster rebuilding in Asian cinema
title_sort imagination of eco-disaster : post-disaster rebuilding in asian cinema
publishDate 2021
url https://hdl.handle.net/10356/145671
_version_ 1761782065241522176