Time and anti-realism in modern and contemporary Irish novels

The connection between narrative and time in literary criticism is informed by the rising temporal self-consciousness in the novel in the second half of the twentieth century. Two trends have commenced from this period: the narrative present and narrative self-reflexivity. This study seeks to explor...

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Main Author: Li, Lianghui
Other Authors: Neil Murphy
Format: Thesis-Doctor of Philosophy
Language:English
Published: Nanyang Technological University 2021
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Online Access:https://hdl.handle.net/10356/146059
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Institution: Nanyang Technological University
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spelling sg-ntu-dr.10356-1460592023-03-11T20:17:18Z Time and anti-realism in modern and contemporary Irish novels Li, Lianghui Neil Murphy School of Humanities CAMurphy@ntu.edu.sg Humanities::Literature The connection between narrative and time in literary criticism is informed by the rising temporal self-consciousness in the novel in the second half of the twentieth century. Two trends have commenced from this period: the narrative present and narrative self-reflexivity. This study seeks to explore how narrative time is informed by narrative experiments while interrogating retrospective narration. Narrative time is approached from two aspects: narrative self-reflexivity that distinguishes narrated time from time of narration, and linguistic experimentation with the use of tense and time deixis. Examining works by Samuel Beckett, John Banville, Anne Enright, Mike McCormack, and Sara Baume, I argue that the anti-realist impulse in these novels reveals narration as non-retrospective and a process of re-conceptualizing time. This conceptual process celebrates presentation and rendition rather than representation and reconstruction for the sake of narrative linearity. Despite their concerns with the historical and personal issues, these Irish novels produce an experience of alternative time and even a process of self-creation. This study simultaneously aims to chart the evolution of the anti-realist thrust in Irish novels, especially in recent decades. It is within this anti-realist tradition that narration and time are intensely contested and explored. From Beckett to Baume, the featuring of narrative self-reflexivity decreases. Yet, the selected novels offer a battleground between realist and anti-realist aspects, and thus foreground an impulse of experimentation that persists in the contemporary Irish novel. While the narrators in these novels engage with the fabrication of time, their Irish authors retain certain detachment from their times by paying homage to the anti-realist tradition. Doctor of Philosophy 2021-01-22T06:00:35Z 2021-01-22T06:00:35Z 2020 Thesis-Doctor of Philosophy Li, L. (2020). Time and anti-realism in modern and contemporary Irish novels. Doctoral thesis, Nanyang Technological University, Singapore. https://hdl.handle.net/10356/146059 10.32657/10356/146059 en This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License (CC BY-NC 4.0). application/pdf Nanyang Technological University
institution Nanyang Technological University
building NTU Library
continent Asia
country Singapore
Singapore
content_provider NTU Library
collection DR-NTU
language English
topic Humanities::Literature
spellingShingle Humanities::Literature
Li, Lianghui
Time and anti-realism in modern and contemporary Irish novels
description The connection between narrative and time in literary criticism is informed by the rising temporal self-consciousness in the novel in the second half of the twentieth century. Two trends have commenced from this period: the narrative present and narrative self-reflexivity. This study seeks to explore how narrative time is informed by narrative experiments while interrogating retrospective narration. Narrative time is approached from two aspects: narrative self-reflexivity that distinguishes narrated time from time of narration, and linguistic experimentation with the use of tense and time deixis. Examining works by Samuel Beckett, John Banville, Anne Enright, Mike McCormack, and Sara Baume, I argue that the anti-realist impulse in these novels reveals narration as non-retrospective and a process of re-conceptualizing time. This conceptual process celebrates presentation and rendition rather than representation and reconstruction for the sake of narrative linearity. Despite their concerns with the historical and personal issues, these Irish novels produce an experience of alternative time and even a process of self-creation. This study simultaneously aims to chart the evolution of the anti-realist thrust in Irish novels, especially in recent decades. It is within this anti-realist tradition that narration and time are intensely contested and explored. From Beckett to Baume, the featuring of narrative self-reflexivity decreases. Yet, the selected novels offer a battleground between realist and anti-realist aspects, and thus foreground an impulse of experimentation that persists in the contemporary Irish novel. While the narrators in these novels engage with the fabrication of time, their Irish authors retain certain detachment from their times by paying homage to the anti-realist tradition.
author2 Neil Murphy
author_facet Neil Murphy
Li, Lianghui
format Thesis-Doctor of Philosophy
author Li, Lianghui
author_sort Li, Lianghui
title Time and anti-realism in modern and contemporary Irish novels
title_short Time and anti-realism in modern and contemporary Irish novels
title_full Time and anti-realism in modern and contemporary Irish novels
title_fullStr Time and anti-realism in modern and contemporary Irish novels
title_full_unstemmed Time and anti-realism in modern and contemporary Irish novels
title_sort time and anti-realism in modern and contemporary irish novels
publisher Nanyang Technological University
publishDate 2021
url https://hdl.handle.net/10356/146059
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