The 360° video Secret Detours as case study to convey experiences through immersive media and the method of presentation
Our recent work Secret Detours served as an immediate approach to digitally preserve a Chinese garden in Singapore and has been conceived as an immersive 360° video. We have investigated several different presentation modes in order to explore the screening possibilities. The constraints and l...
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sg-ntu-dr.10356-1461832023-03-11T19:46:21Z The 360° video Secret Detours as case study to convey experiences through immersive media and the method of presentation Reinhuber, Elke Seide, Benjamin Williams, Ross School of Art, Design and Media ISCMA2019: Art Machines: International Symposium on Computational Media Art Visual arts and music::General Yunnan Garden Immersive Media Our recent work Secret Detours served as an immediate approach to digitally preserve a Chinese garden in Singapore and has been conceived as an immersive 360° video. We have investigated several different presentation modes in order to explore the screening possibilities. The constraints and limitations of each mode has necessitated a reconfiguration of visual and audio composition. The experience of the work and the aesthetic and technological decisions that informs it, varies significantly, depending on whether the work is collectively viewed in a hemispherical dome, a cylindrical panorama, a panoramic LED video wall or with a range of different VR headsets. Published version 2021-01-29T05:44:33Z 2021-01-29T05:44:33Z 2019 Conference Paper Reinhuber, E., Seide, B., & Williams, R. (2019). The 360° video Secret Detours as case study to convey experiences through immersive media and the method of presentation. ISCMA2019: Art Machines: International Symposium on Computational Media Art, 1-2. https://hdl.handle.net/10356/146183 1 2 en © 2019 City University of Hong Kong. All rights reserved. This paper was published in ISCMA2019: Art Machines: International Symposium on Computational Media Art and is made available with permission of City University of Hong Kong. application/pdf |
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Visual arts and music::General Yunnan Garden Immersive Media Reinhuber, Elke Seide, Benjamin Williams, Ross The 360° video Secret Detours as case study to convey experiences through immersive media and the method of presentation |
description |
Our recent work Secret Detours served as an
immediate approach to digitally preserve a
Chinese garden in Singapore and has been
conceived as an immersive 360° video. We have
investigated several different presentation
modes in order to explore the screening
possibilities. The constraints and limitations of
each mode has necessitated a reconfiguration of
visual and audio composition. The experience of
the work and the aesthetic and technological
decisions that informs it, varies significantly,
depending on whether the work is collectively
viewed in a hemispherical dome, a cylindrical
panorama, a panoramic LED video wall or with
a range of different VR headsets. |
author2 |
School of Art, Design and Media |
author_facet |
School of Art, Design and Media Reinhuber, Elke Seide, Benjamin Williams, Ross |
format |
Conference or Workshop Item |
author |
Reinhuber, Elke Seide, Benjamin Williams, Ross |
author_sort |
Reinhuber, Elke |
title |
The 360° video Secret Detours as case study to convey experiences through immersive media and the method of presentation |
title_short |
The 360° video Secret Detours as case study to convey experiences through immersive media and the method of presentation |
title_full |
The 360° video Secret Detours as case study to convey experiences through immersive media and the method of presentation |
title_fullStr |
The 360° video Secret Detours as case study to convey experiences through immersive media and the method of presentation |
title_full_unstemmed |
The 360° video Secret Detours as case study to convey experiences through immersive media and the method of presentation |
title_sort |
360° video secret detours as case study to convey experiences through immersive media and the method of presentation |
publishDate |
2021 |
url |
https://hdl.handle.net/10356/146183 |
_version_ |
1761781749225881600 |